Who Let the Dogs Out?

In the affluent, gated community of Camelot Gardens, bored wives indiscriminately sleep around while their unwitting husbands try desperately to climb the social ladder. Trent, a 21-year-old outsider who mows the neighborhood lawns, quietly observes the infidelities and hypocrisies of this overly privileged society. When Devon, a 10-year-old daughter from one family, forges a friendship with Trent, things suddenly get very complicated.

Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).

In a totalitarian future society, a man whose daily work is rewriting history tries to rebel by falling in love.

A group of farm animals rise up against their neglectful owner, dreaming of equality and freedom. But as the pigs take control, the revolution turns into tyranny, with truth rewritten and dissent crushed.

A presentation of a case for a needed transition out of the current socioeconomic monetary paradigm which governs the entire world society. This subject matter will transcend the issues of cultural relativism and traditional ideology and move to relate the core, empirical 'life ground' attributes of human and social survival, extrapolating those immutable natural laws into a new sustainable social paradigm called a 'Resource-Based Economy'.

Set both in Latin America and the United States, the film explores the historic and current relationship of Washington with countries such as Venezuela, Bolivia and Chile. Pilger says that the film "...tells a universal story... analysing and revealing, through vivid testimony, the story of great power behind its venerable myths. It allows us to understand the true nature of the so-called "war on terror". According to Pilger, the film’s message is that the greed and power of empire is not invincible and that people power is always the "seed beneath the snow".

Batman has stopped the reign of terror that The Mutants had cast upon his city. Now an old foe wants a reunion and the government wants The Man of Steel to put a stop to Batman.

Director Peter Joseph examines examples of economic subjugation and offers solutions based on alignment with nature.

In the year 2159, two classes of people exist: the very wealthy who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined Earth. Secretary Rhodes, a hard line government official, will stop at nothing to enforce anti-immigration laws and preserve the luxurious lifestyle of the citizens of Elysium. That doesn’t stop the people of Earth from trying to get in, by any means they can. When unlucky Max is backed into a corner, he agrees to take on a daunting mission that, if successful, will not only save his life, but could bring equality to these polarized worlds.

After an attack renders her blind, Ellen withdraws from the world to recover. But soon she plunges into paranoia, unable to convince anyone that her assailant has returned to terrorize her by hiding in plain sight.