Since the Last Time We Met
Handsome and stylish Victor is reunited by chance with David, his first love, fifteen years after the last time they saw each other. This reunion revives the clandestine love they had when they were younger.
Handsome and stylish Victor is reunited by chance with David, his first love, fifteen years after the last time they saw each other. This reunion revives the clandestine love they had when they were younger.
Patricio Arellano
Victor
Esteban Recagno
David
Martín Stark
Alan
Josefina Langlois
Beba
Matías De Leis Correa
Peto
Handsome and stylish Victor is reunited by chance with David, his first love, fifteen years after the last time they saw each other. This reunion revives the clandestine love they had when they were younger.
If you’re looking for a film about how not to conduct yourself in a gay male relationship, this is it. Writer-director Matías De Leis Correa’s second feature outing is a talky, jumbled mess about the dysfunctional reunion of two long-separated partners (Patricio Arellano, Esteban Recagno) who constantly paw at one another but can’t make up their minds about what they want for the future. In a story that pretentiously deals with the supposed power of love and unrestrained raw emotion, the film ends up being little more than an exercise in circular, often-contradictory discussions about relationships and responsibility as a precursor to soft-core gay male porn. The picture tries hard to pass itself off as a work of poetic, heartfelt romance but is in actuality little more than slickly produced justification for bad behavior. What’s more, the story grows ever more tedious as it unfolds, straining to evoke sympathy from audience members for the selfish expectations and doormat subservience of its two remarkably unlikable protagonists, plot devices that regularly and increasingly prompt sighs and reactions of “Oh, come on already!” While this release admittedly features some fine camera work of the Argentinean landscape, that’s about all it has going for it. This one is easily skipped.
A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.
At a birthday party in 1968 New York, a surprise guest and a drunken game leave seven gay friends reckoning with unspoken feelings and buried truths.
After the suicide of his best friend and the fire of a local dance called Cromañón, including recitals, illegal parties in an abandoned warehouse and high school, a year passes by in the life of Zabo who writes everything he feels and lives in his blog, "Memories of a teenager".
A three-year-old boy disappears during his mother's high school reunion. Nine years later, by chance, he turns up in the town in which the family has just relocated.
Ariel is a good-looking farm boy who lives with his father and sister in a rural part of Buenos Aires province. He has become familiar with sex thanks to Omar, a priest with whom he has a secret affair.
August tells the story of two former lovers, Troy and Jonathan, who reunite after a long ago painful breakup. After spending several years in Spain, Troy returns to Los Angeles and decides to phone Jonathan and meet for coffee. A seemingly innocent rendezvous turns into an attempt to revive passions past. Only this time it's not that simple as Jonathan has a new beau, Raul, and is trying to make the right decision a second time around.
Biographical drama based on the last 20 years of Crisp's life. The literary figure and gay iconoclast emigrated to New York in 1981 and lived there until his death. The film observes Crisp in both his public and private lives, from his seemingly cavalier response to the outbreak of AIDS to his tender relationship with his friend Patrick Angus and his own response to growing old.
Paul, a 20 year old midwesterner, arrives at the central bus station and quickly catches eyes with Wye, a 22 year old girl voguing on the sidewalk. After Paul seeks her out in secret, an intense love between them blossoms. But when Paul discovers Wye is trans, he is forced to confront his own identity and what it means to belong.
A portrait of the director’s young adulthood, set in the 1940s–1950s, in the electric capital city of Santiago. There, he decides to become a poet and is introduced, by destiny, into the foremost bohemian and artistic circle of the time.
Fourteen-year-old Mo is a lonely, sensitive boy whose hunger for the rant and banter of buddies makes him prone to tread dangerous territories. He idolizes his handsome older brother, Rashid, a charismatic, well-respected member of a local gang, whose drug dealing enables “Rash” to provide for his family. Aching to be seen as a tough guy himself, Mo takes a job that unlocks a fateful turn of events and forces the brothers to confront their inner demons. It turns out that hate is easy. It is love and understanding that take real courage.