Duet Backdrop Blur
Duet Poster

Duet

DUET uses a horizontally extended screen, effected by employing two standard 16mm images projected adjacent to one another. Two vertical bars move back and forth across the width of half the frame. Through these apertures a girl is seen walking back and forth, in a similar manner to the bars. The movement of each of the bars is fairly constant whilst that of the figure is erratic. Each section of the film, i.e. right and left hand images, was shot entirely at random - the matte being moved by hand and the figure's movement being decided by herself. DUET was preceded by two earlier forms; both of which were abandoned. The first (Summer 1974) used a single image, the camera panning constantly between two points whilst the figure moved at random within, and without the frame. In the second version the camera described a circle, the figure moving along the circumference of circles at varying radii.

Top Cast

Overview

DUET uses a horizontally extended screen, effected by employing two standard 16mm images projected adjacent to one another. Two vertical bars move back and forth across the width of half the frame. Through these apertures a girl is seen walking back and forth, in a similar manner to the bars. The movement of each of the bars is fairly constant whilst that of the figure is erratic. Each section of the film, i.e. right and left hand images, was shot entirely at random - the matte being moved by hand and the figure's movement being decided by herself. DUET was preceded by two earlier forms; both of which were abandoned. The first (Summer 1974) used a single image, the camera panning constantly between two points whilst the figure moved at random within, and without the frame. In the second version the camera described a circle, the figure moving along the circumference of circles at varying radii.

Rating

NR / 10
0 Reviews
0 Popular

Recommendations

Symbiopsychotaxiplasm: Take One

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

Symbiopsychotaxiplasm: Take One

6.9 1968