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36 Poster

36

36 refers to both aesthetic traditions of abstract painting and the structural approaches of early geometric films (such as those of Walther Ruttmann and Hans Richter). At the same time, other associations arise, such as early video games and their restricted movement, which was limited to the main axes. When watching 36, an unbelievable tension and concentration develops for the viewer, caused not least by the clarity of the concept and the reduction of the means. (Gerald weber)

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Overview

36 refers to both aesthetic traditions of abstract painting and the structural approaches of early geometric films (such as those of Walther Ruttmann and Hans Richter). At the same time, other associations arise, such as early video games and their restricted movement, which was limited to the main axes. When watching 36, an unbelievable tension and concentration develops for the viewer, caused not least by the clarity of the concept and the reduction of the means. (Gerald weber)

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A white dropout struggles to become a cartoonist and filmmaker, drawing inspiration from the harsh, gritty world around him. Still sharing his rundown apartment with his middle-aged parents, an oafish slob of an Italian father and a ditzy nutcase of a Jewish mother, he's ridiculed and looked down upon by his friends, hypocrites who run with violent gangs and the Italian Mafia, and a shallow Black girl who makes her living downtown with the pimps and pushers. The cartoonist gets a chance to pitch a film idea to a movie mogul, but the story proves too outrageous: a far-future Earth, depleted by war and pollution, where a mutant antihero challenges and kills God.

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