Experiments with Stereoscopic film. This film was released on 17 December 1922 in the Ives-Leventhal stereoscopic (3D) process. It was re-released on 22 September 1924 in New York City with sound recorded by the DeForest Phonofilm process. The same effect of the Plastigram Glasses can be achieved by inverting a pair of anaglyph 3D glasses, making cyan on the left and red on the right.
Experiments with Stereoscopic film. This film was released on 17 December 1922 in the Ives-Leventhal stereoscopic (3D) process. It was re-released on 22 September 1924 in New York City with sound recorded by the DeForest Phonofilm process. The same effect of the Plastigram Glasses can be achieved by inverting a pair of anaglyph 3D glasses, making cyan on the left and red on the right.
Waxing nostalgic about the bittersweet passage from childhood to puberty, four childhood girlfriends — Teeny, Chrissy, Samantha and Roberta — recall the magical summer of 1970. During their walk down memory lane, they reconcile experiences with boys, secrets, bullies and more.
In 1976, four working-class friends come of age in The Hamptons, on the South Shore of Long Island, New York, as clam diggers, as were their fathers and their grandfathers before them. They must cope with and learn to face the changing times in both their personal lives and their neighborhood.
In 2015, Christopher Nolan curated a selection of short films by the surrealist animators the Quay Brothers to be distributed as a touring 35mm presentation. The three films—"In Absentia" (2000), "The Comb" (1991) and "Street of Crocodiles" (1986)—were accompanied by this brief portrait of the brothers at work in their London studio.
Recorded in Seattle, WA on Halloween Night, 1991, Live at the Paramount is the only known Nirvana live show recorded on 16mm film. Now released to coincide with the 20th anniversary of the release of Nirvana's watershed album.
In the aftermath of her tumultuous relationship with a charismatic and manipulative older man, Julie begins to untangle her fraught love for him in making her graduation film, sorting fact from his elaborately constructed fiction.
Fictional documentary about the life of human chameleon Leonard Zelig, a man who becomes a celebrity in the 1920s due to his ability to look and act like whoever is around him. Clever editing places Zelig in real newsreel footage of Woodrow Wilson, Babe Ruth, and others.
Dean and Cindy live a quiet life in a modest neighborhood. They appear to have the world at their feet at the outset of the relationship. However, his lack of ambition and her retreat into self-absorption cause potentially irreversible cracks in their marriage.
The turbulent life and professional career of vaudeville actor and silent screen horror star Lon Chaney (1883-1930), the man of a thousand faces; bearer of many personal misfortunes that even his great success could not mitigate.
A biopic depicting the life of filmmaker and aviation pioneer Howard Hughes from 1927 to 1947, during which time he became a successful film producer and an aviation magnate, while simultaneously growing more unstable due to severe obsessive-compulsive disorder.
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.