Un hombre alado is a feature-length documentary about Gustavo Cerati's creative, artistic and technical process. Through conversations with people who knew him, and the voice of Gustavo himself, we will discover aspects of his musical career and also what it was like when he faced his guitar to compose the music and lyrics of his songs. We will immerse ourselves in his universe to understand why his legacy continues to expand.
Gustavo Cerati
Self (archive footage)
Zeta Bosio
Self (archive footage)
Charly Alberti
Self (archive footage)
Richard Coleman
Self
Un hombre alado is a feature-length documentary about Gustavo Cerati's creative, artistic and technical process. Through conversations with people who knew him, and the voice of Gustavo himself, we will discover aspects of his musical career and also what it was like when he faced his guitar to compose the music and lyrics of his songs. We will immerse ourselves in his universe to understand why his legacy continues to expand.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
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