Non-Fiction Backdrop Blur
Non-Fiction Poster
5.4 1h 47m

Non-Fiction

Alain, a successful Parisian publisher struggling to adapt to the digital revolution, has major doubts about the new manuscript of Léonard, one of his long-time authors — another work of auto-fiction recycling his love affair with a minor celebrity. Selena, Alain’s wife, a famous stage actress, is of the opposite opinion.

Top Cast

  • Guillaume Canet

    Guillaume Canet

    Alain

  • Juliette Binoche

    Juliette Binoche

    Selena

  • Vincent Macaigne

    Vincent Macaigne

    Léonard

  • Christa Théret

    Christa Théret

    Laure

  • Nora Hamzawi

    Nora Hamzawi

    Valérie

  • Pascal Greggory

    Pascal Greggory

    Marc-Antoine

  • Laurent Poitrenaux

    Laurent Poitrenaux

    Author, at Alain

  • Sigrid Bouaziz

    Sigrid Bouaziz

    Editor

  • Lionel Dray

    Lionel Dray

    Editor

Overview

Alain, a successful Parisian publisher struggling to adapt to the digital revolution, has major doubts about the new manuscript of Léonard, one of his long-time authors — another work of auto-fiction recycling his love affair with a minor celebrity. Selena, Alain’s wife, a famous stage actress, is of the opposite opinion.

Rating

5.4 / 10
252 Reviews
1 Popular

2 Reviews

  • SWITCH.
    SWITCH.
    8 May 6, 2020

    It may be a film about rich people living rich people lives and doing rich people things (and, obviously, sleeping with each other's partners), but 'Non-Fiction' is a funny one with a lot of smart insights. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-non-fiction-literature-laughs-and-lewd-liasons

  • CinemaSerf
    CinemaSerf
    5 Mar 28, 2022

    This film starts off quite strongly with an interesting dialogue between the characters "Alain" (Guillaume Canet) and "Selena" (Juliette Binoche) on the future consumption of the written word - long/short form; digital, books, blogs etc - indeed does it have a future a all? Sadly, though, it soon descends into a rather monotonous and predictable exercise in wife swapping, middle-aged crises and never really goes anywhere new. It's wordy and rather flat for most of the last hour, and for me, the end of the rather drearily introspective story of people too obsessed with themselves didn't come a moment too soon.

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