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An account of the life and work of legendary Japanese actor Toshirō Mifune (1920-97), the most prominent actor of the Golden Age of Japanese cinema.

In the silent film era, attorney Leo Harrigan and gunslinger Buck Greenway are hired to stop an illegal film production. However, they soon team up with the filmmakers and become important players in the show business industry. Leo learns he has a talent for directing, and Buck's cowboy persona quickly earns him leading-man status — but both men fall for beautiful starlet Kathleen Cooke, leading to a heated personal rivalry.

In 1939, boy-wonder Orson Welles leaves New York, where he has succeeded in radio and theater, and, hired by RKO Pictures, moves to Hollywood with the purpose of making his first film.

Before computer graphics, special effects wizardry, and out-of-this world technology, the magic of animation flowed from the pencils of two of the greatest animators The Walt Disney Company ever produced -- Frank Thomas and Ollie Johnston. Frank and Ollie, the talent behind BAMBI, PINOCCHIO, LADY AND THE TRAMP, THE JUNGLE BOOK, and others, set the standard for such modern-day hits as THE LION KING. It was their creative genius that helped make Disney synonymous with brilliant animation, magnificent music, and emotional storytelling. Take a journey with these extraordinary artists as they share secrets, insights, and the inspiration behind some of the greatest animated movies the world has ever known!

The untimely death of silent screen star Rudolph Valentino prompts the many women in his past to reminisce about his troubled rise to superstardom.

1930s Hollywood is reevaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane.

The life story of ‘Zen Anarchist’ filmmaker John Milius, one of the most influential storytellers of his generation.

The history of cinematic sound, told by legendary sound designers and visionary filmmakers.

A poetic journey into the visual world of the legendary filmmaker and actor Orson Welles (1915-85) that reveals a new portrait of a unique genius, both of his life and of his monumental work: through his own eyes, drawn by his own hand, painted with his own brush.

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.