This film, shot in 1969, deals with a certain rebellious vision of Quebec at the time. It is a radical questioning of the ways of being of an entire community, which the filmmaker expresses in a most direct style. (This film was released in theaters in 1975.)
Denis Drapeau
Sylvie Payette
This film, shot in 1969, deals with a certain rebellious vision of Quebec at the time. It is a radical questioning of the ways of being of an entire community, which the filmmaker expresses in a most direct style. (This film was released in theaters in 1975.)
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
Based on the true story of Valerie Solanas who was a 1960s radical preaching hatred toward men in her "Scum" manifesto. She wrote a screenplay for a film that she wanted Andy Warhol to produce, but he continued to ignore her. So she shot him. This is Valerie's story.
This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.
Winter. Somewhere between Tehran and Winnipeg. Negin and Nazgol find a sum of money frozen deep within the sidewalk ice and try to find a way to get it out. Massoud leads a group of befuddled tourists upon an increasingly-strange walking tour of Winnipeg historic sites. Matthew leaves his job at the Québec government and embarks upon a mysterious journey to visit his estranged mother.
In a social context deteriorated by a countrywide economic crisis, the life of several people will be turned upside down after they meet Cécile, a character who symbolizes desire.
Camille, is the eldest of a large family. One day, her parents enter a religious community which gradually, regimentation becomes sectarian and Camille will have to fight to assert her freedom and save her brothers and sisters.
1975. When Seyolo Zantoko, a doctor from the Congo who has managed, along with his family, to flee tyranny, is hired by the mayor of a small town in northern France, he begins a struggle to adapt to a new life and gain the trust of the prejudiced villagers.
When Marie St. Clair believes she has been jilted by her artist fiance Jean, she decides to leave for Paris on her own. After spending a year in the city as a mistress of the wealthy Pierre Revel, she is reunited with Jean by chance. This leaves her with the choice between a glamorous life in Paris, and the true love she left behind.
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.
Two young brothers are abandoned by their mother during summer of 1948, they run into the forest and survive there for seven years.