Blue Winter

Drama telling the story of Blue, a young man of Jamaican descent living in Brixton in 1980, as he hangs out with his friends, fronts a dub sound system, loses his job, struggles with family problems and has his friendships tested by racism.

Raf and Julie, a couple on the verge of breaking up, find themselves in an emergency ward bordering on collapse on the evening of a Parisian Yellow Vest protest. Their encounter with Yann, an angry and injured demonstrator, will shatter each person's certainties and prejudices. Outside, the tension escalates.

On the French island of Mont Saint-Michel, Jack, a failed presidential candidate, Tom, a poet and Sonia, a physicist, engage in an intellectual conversation about politics, philosophy and life over the course of a single day.

Housed in a shelter for young mothers, Jessica, Perla, Julia, Ariane, and Naïma, all of whom have grown up in difficult circumstances, struggle to obtain a better life for themselves and their children.

Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.

A man struggles with the tragic memories of his past to make sense of his present, but soon realizes that time isn't the enemy he thinks it is.

A boozy lowlife tries to bury the truth about his crazy stepson's suspicious death, but a nosy newspaper columnist and the young man's mother complicate matters.

A pair of twin brothers from East L.A. choose to live their lives differently and end up on opposite sides of the law.

In revolutionary Iran, as fundamentalists tighten their grip on society, a professor secretly gathers seven of her most dedicated female students to read and discuss forbidden classics of Western literature, including Lolita and Pride and Prejudice. Based on the bestselling memoir by Azar Nafisi. A film by Eran Riklis starring Golshifteh Farahani (Paterson), Zar Amir (Holy Spider), and Mina Kavani (No Bears).

A young Parisian advertising executive becomes so captivated by the unsettling charm of his mysterious new employer that he eventually abandons his family and friends, viewing it a privilege to let the ubiquitous employer take over his home, his life, his desire. Only his wife remains suspicious, recognizing both the pathos and the evil in the man’s soul-stealing power.