Phone
A primer on proper phone manners produced for the New Zealand Post Office.
A primer on proper phone manners produced for the New Zealand Post Office.
John Banas
Ross Jolly
Grant Tilly
Anne England
Jane McKechnie
A primer on proper phone manners produced for the New Zealand Post Office.
In the world of stand-up comedy in South Africa, Trevor Noah uses his childhood experiences in a biracial family during apartheid to prepare for his first one-man show.
Vulgar, taunting texts blow up the phones of a teen and her boyfriend. Who's sending them — and why? This twisty documentary reveals the shocking answer.
The making of 'Dr. Horrible's Sing-Along Blog'.
The comedic stylings of four sort-of famous funnymen are brought to the big screen courtesy of this 2002 documentary.
An inspiring, triumphant and wickedly funny portrait of one of comedy’s most enigmatic and important figures, CALL ME LUCKY tells the story of Barry Crimmins, a beer-swilling, politically outspoken and whip-smart comic whose efforts in the 70s and 80s fostered the talents of the next generation of standup comedians. But beneath Crimmins’ gruff, hard-drinking, curmudgeonly persona lay an undercurrent of rage stemming from his long-suppressed and horrific abuse as a child – a rage that eventually found its way out of the comedy clubs and television shows and into the political arena.
Documentary about the making of American Pie (1999), American Pie 2 (2001) and American Wedding (2003).
The deleted scenes and additional stunts and sketches that originally were not presented in the original series.
An exposé of comic proportions that only Chris Rock could pull off, GOOD HAIR visits beauty salons and hairstyling battles, scientific laboratories and Indian temples to explore the way hairstyles impact the activities, pocketbooks, sexual relationships, and self-esteem of the black community.
Jerry Seinfeld returns to the club that gave him his start in the 1970s, mixing iconic jokes with stories from his childhood and early days in comedy.
A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."