Noriaki Tsuchimoto, a documentary filmmaker known for his series films on Minamata disease, travelled to Afghanistan in 1988 for the production of the film "Afghan Spiring", during which he developed alcoholism. In 1996, after several years of hospitalization and treatment, he accepted a long interview with his close friends, cameraman Koshiro Otsu and producer Tetsujiro Yamagami.
Noriaki Tsuchimoto
Self
Noriaki Tsuchimoto, a documentary filmmaker known for his series films on Minamata disease, travelled to Afghanistan in 1988 for the production of the film "Afghan Spiring", during which he developed alcoholism. In 1996, after several years of hospitalization and treatment, he accepted a long interview with his close friends, cameraman Koshiro Otsu and producer Tetsujiro Yamagami.
A documentary focused on plastic pollution in the world's oceans.
From the heights of her modeling fame to her tragic death, this documentary reveals Anna Nicole Smith through the eyes of the people closest to her.
A detailing of the rise to prominence and global sporting superstardom of six supremely talented young Manchester United football players (David Beckham, Nicky Butt, Ryan Giggs, Paul Scholes, Phil and Gary Neville). The film covers the period 1992-1999, culminating in Manchester United's European Cup triumph.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
A documentary about the life and films of director John Ford.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.
A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".