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The innocence of a home movie is called into question when consent is unexpectedly denied by the filmmaker’s grandmother. In an effort to challenge our obsession with the body and the notion of the director, N/A (Not Available) asks: if consent is to be respected, how do we as both filmmakers and family members navigate and cope with the desire to capture imagery of those closest to us? -RO & MO

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The innocence of a home movie is called into question when consent is unexpectedly denied by the filmmaker’s grandmother. In an effort to challenge our obsession with the body and the notion of the director, N/A (Not Available) asks: if consent is to be respected, how do we as both filmmakers and family members navigate and cope with the desire to capture imagery of those closest to us? -RO & MO

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