Toul Québec au monde sua jobbe
Toul Québec au monde sua jobbe stages the takeover of a factory by the workers. A 1978 film interpreted by non-professionals, it is one of the few examples of worker cinema in Quebec.
Toul Québec au monde sua jobbe stages the takeover of a factory by the workers. A 1978 film interpreted by non-professionals, it is one of the few examples of worker cinema in Quebec.
Toul Québec au monde sua jobbe stages the takeover of a factory by the workers. A 1978 film interpreted by non-professionals, it is one of the few examples of worker cinema in Quebec.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
An inexperienced young actress is invited to play a role in a film based on Dostoyevsky's 'The Possessed'. The film director, a Czech immigrant in Paris, takes over her life, and in a short time she is unable to draw the line between acting and reality. She winds up playing a real-life role posing as the dead wife of another Czech immigrant, who is manipulated by the filmmaker into commiting a political assassination.
Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.
Winter. Somewhere between Tehran and Winnipeg. Negin and Nazgol find a sum of money frozen deep within the sidewalk ice and try to find a way to get it out. Massoud leads a group of befuddled tourists upon an increasingly-strange walking tour of Winnipeg historic sites. Matthew leaves his job at the Québec government and embarks upon a mysterious journey to visit his estranged mother.
Guibord is an independent Member of Parliament who represents Prescott-Makadewà-Rapides-aux Outardes, a vast county in Northern Quebec. As the entire country watches, Guibord unwillingly finds himself in the awkward position of holding the decisive vote to determine whether Canada will go to war. Accompanied by his wife, his daughter and an idealistic intern from Haiti named Sovereign, Guibord travels across his district in order to consult his constituents. While groups of lobbyists get involved in a debate that spins out of control, the MP will have to face his own conscience. 'My Internship in Canada' is a biting political satire in which politicians, citizens and lobbyists go head-to-head tearing democracy to shreds. Film starring Suzanne Clément, Patrick Huard and Mardy Men
During the troubled shooting of several movies, David, the prop man's assistant, meets an aspiring actress who tries to find work in the studio. Things get messy when the stagehands decide to go on strike.
Genial, bumbling Monsieur Hulot loves his top-floor apartment in a grimy corner of the city, and cannot fathom why his sister's family has moved to the suburbs. Their house is an ultra-modern nightmare, which Hulot only visits for the sake of stealing away his rambunctious young nephew. Hulot's sister, however, wants to win him over to her new way of life, and conspires to set him up with a wife and job.
A strike at a French sausage factory contributes to the estrangement of a married filmmaker and his reporter wife.
Paris, summer 1960. Anthropologist and filmmaker Jean Rouch and sociologist and film critic Edgar Morin wander through the crowded streets asking passersby how they cope with life's misfortunes.
A faithful retelling of the 1942 "Vel' d'Hiv Roundup" and the events surrounding it.