Dark Eyes Backdrop Blur
Dark Eyes Poster

Dark Eyes

Aboard a ship early in the 20th-century, a middle-aged Italian tells his story of love to a Russian.

Top Cast

  • Marcello Mastroianni

    Marcello Mastroianni

    Romano

  • Marthe Keller

    Marthe Keller

    Tina

  • Elena Safonova

    Elena Safonova

    Anna

  • Pina Cei

    Pina Cei

    La soucera

  • Vsevolod Larionov

    Vsevolod Larionov

    Pavel

  • Innokentiy Smoktunovskiy

    Innokentiy Smoktunovskiy

    Il Governarore di Sisoiev

  • Roberto Herlitzka

    Roberto Herlitzka

    L'Avvocato

  • Paolo Baroni

    Paolo Baroni

    Manilo

  • Oleg Tabakov

    Oleg Tabakov

    Sua Grazia

Overview

Aboard a ship early in the 20th-century, a middle-aged Italian tells his story of love to a Russian.

Rating

6.6 / 10
102 Reviews
1 Popular

Trailers & Clips

Recommendations

L.A. Without a Map

An aspiring Hollywood actress, on a visit to a charming North England town, has a brief fling with the town undertaker, who also writes obituaries for the local paper. Returning home, where she works as a waitress at a Japanese restaurant, she tells everyone about the handsome "writer" she met on her trip. Unfortunately, he decides to follow her back to Hollywood, setting up the expected light romantic comedy with asides as the newcomer gains experience about the goings on in Hollywood.

L.A. Without a Map

5.9 1999
Oblomov

St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' estate. His boyhood companion, Stoltz, now an energetic and successful businessman, adds Oblomov to his circle whenever he's in the city, and Oblomov's life changes when Stoltz introduces him to Olga, lovely and cultured. When Stoltz leaves for several months, Oblomov takes a country house near Olga's, and she determines to change him: to turn him into a man of society, action, and culture. Soon, Olga and Oblomov are in love; but where, in the triangle, does that leave Stoltz?

Oblomov

6.3 1980