"A Brand New Seven -- Doing Their Number! They put their lives on the line and let it ride!"
Marshal Chris Adams turns down a friend's request to help stop the depredations of a gang of Mexican bandits. When his wife is killed by bank robbers and his friend is killed capturing the last thief, Chris feels obligated to take up his friend's cause and recruits a writer and five prisoners to destroy the desperadoes.
Lee Van Cleef
Marshal Chris Adams
Stefanie Powers
Mrs. Laurie Gunn
Michael Callan
Noah Forbes
Mariette Hartley
Arilla Adams
Luke Askew
Mark Skinner
Pedro Armendáriz Jr.
Pepe Carral
Ralph Waite
Jim Mackay
Melissa Murphy
Madge Buchanan
William Lucking
Walt Drummond
Marshal Chris Adams turns down a friend's request to help stop the depredations of a gang of Mexican bandits. When his wife is killed by bank robbers and his friend is killed capturing the last thief, Chris feels obligated to take up his friend's cause and recruits a writer and five prisoners to destroy the desperadoes.
**The end of a franchise that should never have existed.** It is often said that there is no love like the first, and really “Magnificent Seven” was an excellent film, which deserves to be remembered and that is part of the great Western films, for me. The film had several sequels, as we know, but none of them were necessary, and the truth is that it would have been better if they had never been made. This film was the third and final sequel to “Magnificent Seven”. Again, we witness an absolute renewal of the cast, in a radical break with everything that was done previously: here we already see Chris (always the same character, despite the rotation of actors) aged, as sheriff, about to get married. A local bank robbery, followed by the kidnapping of his fiancée, will force the retired gunfighter back into action. He fails, however, to save the bride, who has been raped and killed by thieves. The plot continues, there are a few more deaths that motivate Chris to hunt for his target, which associate rapes with homicides. The only good thing about this film is the plot: the script ultimately presents a different story than the one that was done in the first film, and repeatedly chewed up in the immediate sequels. We can even dispute the quality and detail of the script, but I think it's much fresher and more acceptable material. Even so, it is in the details that the problems lie: and there are many points where the plot really feels bad, far-fetched and forced. Lee Van Cleef is a good actor, and it wasn't difficult for him to take the lead here. However, it does not seem to me that the film allows him to shine. I haven't seen much of the actor's work, but it's hard for him to make Brynner's performance in the same character forget. For the rest, he is the only actor who deserves a minimally positive mention. The rest of the cast is overwhelmingly average. Filmed entirely in the USA, the film is the typical Western, where everything ends in a hail of bullets, looking for the massive action to effectively replace the weaknesses of the script and the rest of the material. Obviously, it doesn't work. The film has clearly fake sets and, on more than one occasion, I felt that the costumes are excessively anachronistic and even uncharacteristic or difficult to accept in a period production. Besides, there isn't much quality here, so it's not a film that I feel capable of recommending to anyone.
Lee Van Cleef takes on the famous Yul Brynner role as "Chris" - this time a US Marshal who is drafted in to recruit a team to protect a small agrarian township from the marauding "De Toro" (Ron Stein). The casting is oddly unconvincing. Stefanie Powers just doesn't cut it at all as love interest "Laurie", nor does Mickey Callan as "Noah" (he should just have stuck to fighting over-sized chickens and Herbert Lom) and, unfortunately, I just cannot take Ralph Waite seriously even though this was made before we became accustomed to his performances with his wholesome "Paw Walton" characterisation. It is stodgily directed, drearily written and is an exceptionally slow burn for an action film, and though it does pick up slightly for the last fifteen minutes or so it is not really much of a worthy successor and I found that it was a film that I am sure I must have seen before, but remember not at all.
After escaping from jail, outlaw Wes McQueen is convinced by his old partner in crime to do one last heist.
Ross Bodine and Frank Post are cowhands on Walt Buckman's R-Bar-R ranch. Bodine is older and broods a bit about how he will get along when he's too old to cowboy. Post is young and rambunctious and ambitious for a better life than wrangling cows. When one of their fellow cowboys is killed in a corral accident, Post suggests a way into a better life for himself and his friend: robbing a bank. Bodine reluctantly joins in the plan and the two contrive to rob the local bank. They make good their escape initially, but Walt Buckman and his two sons, John and Paul, are incensed at this betrayal by their own trusted employees. John and Paul set out to bring Bodine and Post to justice.
Two black bounty hunters ride into a small town out West in pursuit of an outlaw. They discover that the town has no sheriff, and soon take over that position, much against the will of the mostly white townsfolk.
Aging rancher and self-made man, George Washington McLintock is forced to deal with numerous personal and professional problems. Seemingly everyone wants a piece of his enormous farmstead, including high-ranking government men and nearby Native Americans. As McLintock tries to juggle his various adversaries, his wife—who left him two years previously—suddenly returns. But she isn't interested in George; she wants custody of their daughter.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
A cattle-vs.-sheepman feud loses Connie Dickason her fiance, but gains her his ranch, which she determines to run alone in opposition to Frank Ivey, "boss" of the valley, whom her father Ben wanted her to marry. She hires recovering alcoholic Dave Nash as foreman and a crew of Ivey's enemies. Ivey fights back with violence and destruction, but Dave is determined to counter him legally... a feeling not shared by his associates. Connie's boast that, as a woman, she doesn't need guns proves justified, but plenty of gunplay results.
Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.
When Rocklin arrives in a western town he finds that the rancher who hired him as a foreman has been murdered. He is out to solve the murder and thwart the scheming to take the ranch from its rightful owner.
Questions arise when Senator Stoddard attends the funeral of a local man named Tom Doniphon in a small Western town. Flashing back, we learn Doniphon saved Stoddard, then a lawyer, when he was roughed up by a crew of outlaws terrorizing the town, led by Liberty Valance. As the territory's safety hung in the balance, Doniphon and Stoddard, two of the only people standing up to him, proved to be very important, but different, foes to Valance.