Rawhide
At a desolate relay station in the west, a stagecoach attendant and a stranded woman traveller are held captive by a band of escaped convicts.
At a desolate relay station in the west, a stagecoach attendant and a stranded woman traveller are held captive by a band of escaped convicts.
Tyrone Power
Tom Owens
Susan Hayward
Vinnie Holt
Hugh Marlowe
Rafe Zimmerman
Dean Jagger
Yancy
Edgar Buchanan
Sam Todd
Jack Elam
Tevis
George Tobias
Gratz
Jeff Corey
Luke Davis
James Millican
Tex Squires
At a desolate relay station in the west, a stagecoach attendant and a stranded woman traveller are held captive by a band of escaped convicts.
Desperate Siege. Rawhide is directed by Henry Hathaway and written by Dudley Nichols. It stars Tyrone Power, Susan Hayward, Hugh Marlowe, Jack Elam, George Tobias, Dean Jagger and Edgar Buchanan. Music is by Sol Kaplan and Lionel Newman and cinematography by Milton Krasner. A stagecoach station employee and a stranded woman traveller and her baby niece find themselves held hostage by four escaped convicts intending to rob the next day's gold shipment. A Western remake of 1935 crime film Show Them No Mercy, Rawhide is the embodiment of a solid Western production. Beautifully photographed in black and white by Krasner, smoothly performed by a strong cast of actors and seamlessly directed by the astute Hathaway, it builds the hostage plot slowly, tightening the screws of character development a bit at a time, and it unfolds in a blaze of glory come film's end. Characterisations are always interesting, if a bit conventional to anyone who has watched a lot of Oaters. Power is of course our hero in waiting and Hayward is spunky and feisty, I wonder if they will get together romantically? The four convicts are your typical scuzzy types, with Marlowe dominating the screen as the intelligent leader saddled with cohorts he really doesn't care for, while Elam is wonderfully vile as a lecherous loose cannon. The thematics of greed, sexual hostility and jeopardy for Hayward and child keep the pot boiling nicely, so suspense is a constant, and some thought has gone into the writing as regards the convict group dynamic. Sadly Kaplan's musical score is quite often cheese laden, even ridiculously jolly and not at one with the noirish thriller conventions of the story. But regardless of irritating musical interludes, this is a very good Oater and comfortably recommended to Western fans who want more than your standard shoot em' up B pictures. 7.5/10
**_Western noir with Tyrone Power, Susan Hayward and Hugh Marlowe_** Four outlaws take captive the residents of a way station in southern Wyoming (Power, Hayward and Edgar Buchanan) while waiting for a stage with a gold shipment. Marlowe plays the head thug while Jack Elam is on hand as his psychotic subordinate. "Rawhide" (1951) is a B&W Western that influenced future ones, like "Hangman's Knot" (1952), “The Tall T” (1956), “Day of the Outlaw” (1959), "Ride Lonesome" (1959), "Comanche Station" (1960) and "Apache Uprising" (1965). It ranks with the best of these. If you remove the opening and closing scenes, which are understandably passé, “Rawhide” holds up in the modern day as a psychological adult Western that's film noir-ish and realistic. While some people favor B&W, I don't (although I can roll with it), and would love to see a colorized version. Susan is a highlight, looking her best along with convincing spunkiness. Meanwhile Power is a quality protagonist, just a regular guy suddenly caught up in a life-or-death situation. The film runs 1 hour, 29 minutes, and was shot at Alabama Hills, Lone Pine, and nearby Olancha, which are located in the Sierra Nevada Mountains in central California, about an hour’s drive from the Nevada border and 200 miles north of Hollywood. GRADE: B
Two men are released from the Arizona Territorial Prison at Yuma in 1898. One, The Dutchman, is out to get both gold and revenge from certain people in a small mining town who had him imprisoned unjustly. The other, McBain, is just trying to go straight, but that is easier said than done once The Dutchman involves him in his gold theft scheme. Based on the 1949 novel The Asphalt Jungle by W. R. Burnett, the story is given an 1898 setting. It is the second film adaptation of the novel following 1950's noir classic The Asphalt Jungle.
An ex-con seeks revenge on the man who put him in prison by planning a robbery of the latter's stagecoach, which is transporting gold. He enlists the help of a partner, who could be working for his nemesis.
A gunhand named Lane is hired by a widow, Mrs. Lowe, to find gold stolen by her deceased husband so that she may return it and clear the family name.
At the height of the frontier era, a train races through the Rocky Mountains on a classified mission to a remote army post. But one by one the passengers are being murdered, and their only hope is the mysterious John Deakin, who's being transported to face trial for murder.
Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.
Four unwitting heroes cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day, but first they have to break each other out of jail, and learn who their real friends are.
An independent former ranch foreman and an heiress are kidnapped by a trio of ruthless outlaws.
John Russell, disdained by his "respectable" fellow stagecoach passengers because he was raised by Indians, becomes their only hope for survival when they are set upon by outlaws.
Jim Douglass arrives in the small town of Rio Arriba in order to witness the hanging of the four men he believes murdered his wife. When the convicts escape, Jim tracks them into Mexico, determined to see that justice is done. But the farther Jim goes in his quest for vengeance, the more merciless he becomes, losing himself in an unrelenting spiral of hatred and violence.
A cattle-vs.-sheepman feud loses Connie Dickason her fiance, but gains her his ranch, which she determines to run alone in opposition to Frank Ivey, "boss" of the valley, whom her father Ben wanted her to marry. She hires recovering alcoholic Dave Nash as foreman and a crew of Ivey's enemies. Ivey fights back with violence and destruction, but Dave is determined to counter him legally... a feeling not shared by his associates. Connie's boast that, as a woman, she doesn't need guns proves justified, but plenty of gunplay results.