The Prince and the Showgirl Backdrop Blur
The Prince and the Showgirl Poster

The Prince and the Showgirl

"SOME COUNTRIES HAVE A MEDAL FOR EVERYTHING"

An American showgirl becomes entangled in political intrigue when the Prince Regent of a foreign country attempts to seduce her.

Top Cast

  • Marilyn Monroe

    Marilyn Monroe

    Elsie

  • Laurence Olivier

    Laurence Olivier

    The Regent

  • Sybil Thorndike

    Sybil Thorndike

    The Queen Dowager

  • Richard Wattis

    Richard Wattis

    Northbrook

  • Jeremy Spenser

    Jeremy Spenser

    King Nicolas

  • David Horne

    David Horne

    The Foreign Office

  • Harold Goodwin

    Harold Goodwin

    Call Boy

  • Gladys Henson

    Gladys Henson

    Dresser

  • Jean Kent

    Jean Kent

    Maisie Springfield

Overview

An American showgirl becomes entangled in political intrigue when the Prince Regent of a foreign country attempts to seduce her.

Rating

6.4 / 10
199 Reviews
1 Popular

1 Reviews

  • CinemaSerf
    CinemaSerf
    7 Mar 8, 2026

    Luckily Queen Elizabeth II allowed some of her own Coronation footage from 1953 to double up for her grandfather’s forty-odd years earlier and so provide a backdrop for this unlikely romance between a visiting prince regent and a theatrical type who might well have piqued the interest of Edward VII. The fastidious prince (Laurence Olivier) is attending the ceremonies with his mother-in-law, the deaf as a post Queen dowager (Dame Sybil Thorndike) and his teenage son, the king (Jeremy Spenser) and staying at their embassy under the watchful eyes of the Foreign Office’s finest “Northbrook” (Richard Wattis). It’s the latter man who has to arrange entertainments for his guest so organises a visit to the theatre where he takes a liking to the plain speaking American “Elsie” (Marilyn Monroe). When she is invited back for a candlelit supper, she knows all too well what he has in mind and so begins a cleverly constructed cat and mouse game that sees her soon get used to the vodka, champagne, caviar and machinations of her host. Meantime, the young King is getting fed up playing second fiddle to his father and so is doing some plotting of his own - some scheming that soon involves “Elsie” in a little unexpected familial peacekeeping duties. It’s a sumptuously staged costume drama for which I felt both Olivier and Monroe ideally suited. His direction allowed himself to effortlessly become the foil for a Monroe who is on entertaining form throughout with a performance that might have impressed George Bernard Shaw. The pacing is a little uneven, with Olivier also keen to include some lengthy ceremonial imagery (and music) which does rather call an halt to proceedings towards the end, and I could also have done with a bit more from Dame Sybil and from the scene stealing Wattis but in the end I felt this as much a meeting of acting styles and generations as it was a period drama and despite my initial reservations, I did quite enjoy it.

Trailers & Clips

Recommendations