Last Tango in Paris
"When you see a love story, it's only a movie. When you feel it with every nerve in your body, it's a masterpiece."
A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.
"When you see a love story, it's only a movie. When you feel it with every nerve in your body, it's a masterpiece."
A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.
Marlon Brando
Paul
Maria Schneider
Jeanne
Maria Michi
Rosa's Mother
Giovanna Galletti
Prostitute
Jean-Pierre Léaud
Tom
Gitt Magrini
Jeanne's Mother
Catherine Allégret
Catherine
Luce Marquand
Olympia
Marie-Hélène Breillat
Monique
A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.
"Jeanne" (Maria Schneider) is flat-hunting when she encounters the predatory "Paul" (Marlon Brando) in an empty apartment where he proceeds to rape her. It turns out that he has recently lost his wife to suicide and is completely bereft - bewildered and almost feral in his attitude towards this girl. He rents the apartment and she comes back for more - always using the no names no pack drill routine as the sex becomes perfunctorily obsessional for both of them. The question is - can they both remain so dispassionate emotionally as their rendezvous become more intense, more humiliating for her and ultimately completely addictive? She is obedient in every way, and like most things reliably delivered on a plate the sex soon ceases to satiate his desires. He must completely control this young woman. She, meantime, is engaged to the aspiring film director "Tom" (Jean-Pierre Léaud) who remains blissfully oblivious of his fiancée's peccadilloes. In the end, it's going to be "Jeanne" who has to take control of her own life - but which way will she turn? For a film that's essentially about passion, this is an entirely sterile affair with little actual chemistry between the couple as Bertolucci exposes us to endless pointless female nudity, some clumsily choreographed sex and a surfeit of dialogue that doesn't generate steam so much as spray amidst a series of gratuitous nookie that did neither Brando nor the marginally more natural Schneider any favours. If it's supposed to be a penetrative look at the human psyche, or at our animal instincts, or maybe even at our dependencies, then I'm afraid it was all just too plodding, repetitive and undercooked. This just wasn't for me, sorry.
Zed is an American vault-cracker who travels to Paris to meet up with his old friend Eric. Eric and his gang have planned to raid the only bank in the city which is open on Bastille day. After offering his services, Zed soon finds himself trapped in a situation beyond his control when heroin abuse, poor planning and a call-girl named Zoe all conspire to turn the robbery into a very bloody siege.
Failed musician Jay abandoned his family and now earns a living as head bartender in a trendy London pub. Every Wednesday afternoon, a woman comes to his house for graphic, almost wordless, sex. One day, Jay follows her and learns about her. This eventually disrupts their relationship.
A failed novelist's inability to pay the bills strains relations with his wife and leads him to work at an escort service, where he becomes entwined with a wealthy woman whose husband is a successful writer.
A quiet and inconspicuous man rents an apartment in Paris where he finds himself drawn into a rabbit hole of dangerous paranoia.
A New York suburban couple's marriage goes dangerously awry when the wife indulges in an adulterous fling.
In a barren, arranged marriage to an amateur swami who seeks enlightenment through celibacy, Radha's life takes an irresistible turn when her beautiful young sister-in-law seeks to free herself from the confines of her own loveless marriage.
A woman becomes very curious about one of her psychiatrist husband's inmates, a man who was found guilty in the murder and disfigurement of his former wife.
A young drifter working on a river barge disrupts his employers' lives while hiding the fact that he knows more about a dead woman found in the river than he admits.
French sailor Querelle arrives in Brest and starts frequenting a strange whorehouse. He discovers that his brother Robert is the lover of the lady owner, Lysiane. Here, you can play dice with Nono, Lysiane's husband: if you win, you are allowed to make love with Lysiane; if you lose, you have to make love with Nono... Querelle loses on purpose.
In 1940s Venice, after twenty years' marriage, retired art critic Nino Rolfe and his younger wife Teresa feel their passion waning. To help her shed her inhibitions and rekindle their relationship, the professor records his sexual fantasies in a diary.