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Gallant Lady

"BECAUSE SHE PLAYED WITH FIRE, HER CHILD, WHOM SHE SO LOVED, MUST NEVER KNOW SHE WAS HIS MOTHER...!"

Unwed mother gives up baby for adoption and hopes to get it back when the adoptive mother dies.

Top Cast

  • Ann Harding

    Ann Harding

    Sally Wyndham

  • Clive Brook

    Clive Brook

    Dan Pritchard

  • Otto Kruger

    Otto Kruger

    Phillip Lawrence

  • Tullio Carminati

    Tullio Carminati

    Count Mario Carniri

  • Dickie Moore

    Dickie Moore

    Deedy Lawrence

  • Janet Beecher

    Janet Beecher

    Maria Sherwood

  • Betty Lawford

    Betty Lawford

    Cynthia Haddon

  • Adrienne D'Ambricourt

    Adrienne D'Ambricourt

    Nanette - Deedy's Nurse (uncredited)

Overview

Unwed mother gives up baby for adoption and hopes to get it back when the adoptive mother dies.

Rating

7.3 / 10
3 Reviews
0 Popular

1 Reviews

  • CinemaSerf
    CinemaSerf
    6 Feb 16, 2024

    Ann Harding is on good form here in this drama about a mother trying to reclaim her son. Tragically unwed and broke, and with the help of the dipso ex-con doctor "Dan" (Clive Brooks), she had to put her young lad "Deedy" (Dickie Moore) up for adoption. Many years later when she learns that the adoptive mother has passed away, she is much more successful and senses that now might be the time to try and ingratiate herself with "Phillip" (Otto Kruger) and the young boy - and see if she can't get more firmly established in both of their lives. She won't have an easy ride, though, but gets off to a decent start as they meet on the Queen Mary travelling to Europe. On that trip, she also meets "Count Carniri" (Tullio Carminati) who takes a shine to her and might just prove a fly in her ointment when it comes to getting her son back. Faced with choices that may not be her first, she makes some decisions that might reunite her with her child, but at what price her own happiness? The plot is standard melodrama stuff, but Harding really does stand out with one of her more convincing performances. The scenes with the young lad work well, are quite emotional and do support the almost addictive maternal feeling that underpins most of this story. Brooks is also quite effective as the drunken physician, but there's just a bit too much dialogue and the support elements (except the young Moore) don't really make much impact. It stays the right side of sentimentality once we are up and running, and there's some feisty humour here too.

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