Nope
"What’s a bad miracle?"
Residents in a lonely gulch of inland California bear witness to an uncanny, chilling discovery.
"What’s a bad miracle?"
Residents in a lonely gulch of inland California bear witness to an uncanny, chilling discovery.
Daniel Kaluuya
OJ Haywood
Keke Palmer
Emerald Haywood
Brandon Perea
Angel Torres
Michael Wincott
Antlers Holst
Steven Yeun
Ricky 'Jupe' Park
Wrenn Schmidt
Amber Park
Keith David
Otis Haywood Sr.
Devon Graye
Ryder Muybridge
Terry Notary
Gordy
Residents in a lonely gulch of inland California bear witness to an uncanny, chilling discovery.
My first Jordan Peele film! Such a rich text and an incredibly well-crafted piece of filmmaking. Great ensemble, superb execution of its sci-fi concepts, and just a joy to exist in. It might be one of the best films I've had the pleasure of seeing in theaters and definitely one of my favorites.
I do noi Ike horror movies as a rule, but I liked this one, so I suspect that “Nope” didn’t have enough gore or shocking surprises for the average fan of that genre. I thought the acting and writing were fine, and the title was a subtle selection. The odd subplot of the incident with Gordy the monkey reminded me of the movie Magnolia for some reason. I wonder if that film was any kind of an influence on Jordan Peele’s storytelling style? The entity in this movie is rather quirky and odd as we learn how it operates and its likes and dislikes. I will say no more than that because learning about it is part of the fun, though I am sure it made it too slow moving for thriller fans. It won’t be a favorite of mine, but it makes the short list of horror movies I have watched and liked just fine.
All you all that like movies like this are going to be really embarrassed once it's not hip to be racist anymore. You know, one this woke crap ends and we go back to judging people by the content of their character and not the color of their skin. But then isn't judging people by the content of their character "racist" today? You have to judge by skin color right? This is Peele, he makes a point about that, because once more all white people are idiots or evil, and now all Asians are idiots and evil too, because in woke culture they are "white adjacent." It's more veiled racism that people today applaud, call intelligent, and when the woke market ends, they are going to liken it to "the Turner Diaries"
A really well made flick! 'Nope' comes across as a pretty unique film, even if the core premise isn't necessarily that. I enjoyed seeing it all come together, the conclusion is the most entertaining part - as it ought to be, I guess. The cinematography, meanwhile, is ace. I also dig the special effects, although oddly I feel like the main thing's effect slightly (!) dropped off a bit towards the end - but that could just be the fact that we see more of it at that point, as opposed to the prior snippets. Keke Palmer is excellent throughout, the clear standout in my opinion. Daniel Kaluuya and Steven Yeun are also enjoyable, as are Michael Wincott and Brandon Perea to be fair - albeit less so. Neat to see Keith David involved too, I need to see him in a more prominant role at some point - only ever seems to be a bit-part in what I've seen of him thus far.
This film had the potential to be something wonderful, but unfortunately, it missed the mark on multiple levels. The execution of the storyline seemed off and failed to engage viewers in the way it should have. Keke Palmer's acting was criticized for being over the top and coming across as forced. The film's approach appeared to lack creative risks, with some scenes, like the alien reveal, being described as resembling a flying tampon, giving the impression of a haphazardly put together production. While the criticism may sound harsh, it reflects one individual's perspective on the film's shortcomings. The lack of cohesive writing and disjointed elements may have contributed to the overall disappointment in the film's execution.
After watching Jordan Peele's *Nope* twice, I found myself captivated by its technical brilliance, particularly the cinematography. The night scenes are especially impressive, achieved through a unique 'day-for-night' technique developed by cinematographer Hoyte van Hoytema. This method combined ARRI ALEXA 65 infrared and Panavision System 65mm film cameras to create stunning visuals that are both eerie and beautiful. Daniel Kaluuya's performance is another highlight. His ability to convey deep emotion with minimal dialogue is remarkable, reminiscent of his work in *Get Out*. His portrayal adds a layer of depth to the film, making his character's journey compelling to watch. While the storyline didn't fully resonate with me, I appreciated the well-crafted script. The dialogue is sharp, and the film explores intriguing themes, even if the overall narrative felt somewhat disjointed. In summary, *Nope* is a visually stunning film with standout performances, particularly from Kaluuya. Despite some reservations about the storyline, the film's technical achievements and strong acting make it a noteworthy addition to Peele's filmography.
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