A Last Supper

During the Italian Renaissance, Pope Julius II contracts the influential artist Michelangelo to sculpt 40 statues for his tomb. When the pope changes his mind and asks the sculptor to paint a mural in the Sistine Chapel, Michelangelo doubts his painting skills and abandons the project. Divine inspiration returns Michelangelo to the mural, but his artistic vision clashes with the pope's demanding personality and threatens the success of the historic painting.

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.

G.G. Sparrow faces off with her choir's newly appointed director, Vi Rose Hill, over the group's direction as they head into a national competition.

A corrupt young man somehow keeps his youthful beauty, but a special painting gradually reveals his inner ugliness to all.

A mysterious man arrives at the offices of an FBI agent and recounts his childhood: how his religious fanatic father received visions telling him to kill people who were in fact "demons."

John LeTour is a recovering drug user who suffers insomnia and still deals to a high-end New York clientele, even though he’s trying to move on from the business. John’s professional midlife crisis becomes something more acute — and dangerous — when he re-encounters an old flame while a string of seemingly drug-related murders rocks the city.

A woman attracts the attention of a psychotic former Army interrogator and an emotionally fragile young man caring for his ailing mother.

Paris, 1964. The Swiss sculptor and painter Alberto Giacometti, one of the most accomplished and respected artists of his generation, asks his friend, the American writer James Lord, to sit for a portrait, assuring him that it will take no longer than two or three hours, an afternoon at the most.

As played out by a theatre troupe, the last days of Jesus Christ are depicted from the perspective of Judas Iscariot, his betrayer. As Jesus' following increases, Judas begins to worry that Jesus is falling for his own hype, forgetting the principles of his teachings and growing too close to the prostitute Mary Magdalene.

From the 1960s to the 1980s, evangelist Jim Baker and his ambitious wife, Tammy Faye, rose from humble beginnings to build an empire based on big-time evangelical Christianity--only for the couple to fall from grace because of some all-too-human sins.