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Melon Patches, or Reasons to Go On Living

One of Robertson’s most life-affirming films, shot entirely within one of her beloved community garden plots, using the asynchronous sound tracks that she often favored, this time with a “score” of baby sounds.

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Overview

One of Robertson’s most life-affirming films, shot entirely within one of her beloved community garden plots, using the asynchronous sound tracks that she often favored, this time with a “score” of baby sounds.

Rating

NR / 10
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1

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

1

6.7 2020