The Beauties!
This extravagant review presents the elegance and grace of the male roles and the delicate beauty of the female roles, all presented with Takarazuka's unique flair.
This extravagant review presents the elegance and grace of the male roles and the delicate beauty of the female roles, all presented with Takarazuka's unique flair.
Mire Aika
Rei Otori
This extravagant review presents the elegance and grace of the male roles and the delicate beauty of the female roles, all presented with Takarazuka's unique flair.
In late 19th-century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that the praise he receives is only due to his status as his father's heir. Devastated, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully joins him.
A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.
The story follows the social intercourse between a cameraman, Masaya, with a visual impairment, and Misako who disconnects from the world.
An experimental, psychedelic odyssey through Japanese subculture experienced via the eyes of a disillusioned young man, who must contend with intense familial dysfunction, psychosexual alienation, and existentialist malaise.
In spring, a girl leaves the island of Hokkaido to attend university in Tokyo. Once there, she is asked to reveal why she wanted to go there in the first place.
Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.
On the day before Easter in 1911, Don Hewes is crushed when his dancing partner (and object of affection) Nadine Hale refuses to start a new contract with him. To prove Nadine's not important to him, Don acquires innocent new protege Hannah Brown, vowing to make her a star in time for next year's Easter parade.
Haruto Asakura falls in love with hairdresser Misaki Ariake and asks her out. Watching Misaki Ariake work hard to achieve what she wants, Haruto Asakura, who almost gave up his dream to become a photographer, begins to pursue his dream again, but Misaki Ariake is diagnosed with a disease that ages her 10x faster than normal.
A snobbish phonetics professor agrees to a wager that he can take a flower girl and make her presentable in high society.
Takuma knows that his life is shorter than the others and he feels that his demise is getting near. He chose to stay away from the girl that he loves so that she can easily move on. What he didn't know is that he is under-estimating her.