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A number of androgynous figures inhabit an underground world of train carriages and tunnels. Performing ritualistic choreographies which combine breakdance and voguing, two iconic dances that originated in black American communities, the characters project a utopian scenario that prefigures Roque’s interest in queer as an emancipated state of hybridization.

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A number of androgynous figures inhabit an underground world of train carriages and tunnels. Performing ritualistic choreographies which combine breakdance and voguing, two iconic dances that originated in black American communities, the characters project a utopian scenario that prefigures Roque’s interest in queer as an emancipated state of hybridization.

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