Documentary charting the experiences of projectionists who work or worked in cinemas in London, exploring the skills and dedication required for this unique role, set against changes in technology, society, and entertainment.
Peter Bell
Self
Charles ‘Jock’ Brown
Self
Michael Ford
Self
Victor Gallucci
Self
Barrie Gilbert
Self
Steve Grey
Self
Peter Howden
Self
Amanda Ireland
Self
Ali Kayley
Self
Documentary charting the experiences of projectionists who work or worked in cinemas in London, exploring the skills and dedication required for this unique role, set against changes in technology, society, and entertainment.
A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.
The story lives forever in this feature-length documentary that charts the making of Star Wars: The Rise of Skywalker.
An intimate documentary delving into Rian Johnson's process as he comes in as a director new to the Star Wars universe.
The history of cinematic sound, told by legendary sound designers and visionary filmmakers.
From the heights of her modeling fame to her tragic death, this documentary reveals Anna Nicole Smith through the eyes of the people closest to her.
This special explores the return of Obi-Wan Kenobi and Anakin Skywalker to the screen, as well as Ewan McGregor and Hayden Christensen to their classic roles. Director Deborah Chow leads the cast and crew as they create new heroes and villains that live alongside new incarnations of beloved Star Wars characters, and an epic story that dramatically bridges the saga films.
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
One-man armies, meet-cutes, casual strolls away from huge explosions — stars and industry insiders toast and roast these cinematic chestnuts and more.
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
This character-driven film considers the evolving sex trafficking landscape as seen by the main players: the exploited, the pimps, the johns that fuel the business, and the cops who fight to stop it.