Détester

A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.

1985. Vincent, almost 13, lives in the suburbs of Paris in a middle-class family, between a distant older brother and parents in constant conflict. Although he is no longer a child and not yet an adult, the film follows his reflections and doubts about identity, friendship, family, and his questions about religion, desire, and love.

A burned-out paramedic tries to survive his last 24 hours on the job while training a new recruit.

Improbable encounters bring tenderness, laughter and compassion to a world of urban alienation.

Leo and Angela Russo live a simple life in Queens, surrounded by their overbearing Italian-American family. When their son finds success on his high school basketball team, Leo tears the family apart trying to make it happen.

When she arrived at the Elysée Palace, Bernadette Chirac expected to finally get the place she deserved, she who had always worked in the shadow of her husband to make him president. Put aside because she was considered too old-fashioned, Bernadette decided to take her revenge by becoming a major media figure.

Two young girls meet, Reinette from the countryside and Mirabelle from Paris, and decide to take a flat together in Paris where they attend University. Four successive stories about their daily lives illustrate the very different views, characters and relation to the world of these two friends.

Victor is a legal advisor who finds himself abandoned by his wife and fired the same day. He tries to seek comfort from different friends and family members, but everyone he meets is concerned with their own problems. His morale begins to falter when he realizes that no one cares about him.

Frank Farrelli takes on the job as a middle man in the God-forsaken town of Karmack, USA, a community in a depression so deep that they need a middle man to professionally communicate more of the bad news.

Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeoisie holds dear, whether it’s cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She’s on her own search for seemingly unattainable sexual pleasure.