Screen Test: Susan Bottomly
Susan Bottomly/International Velvet's screen test is dark as her piercing eyes stare into the camera, as Warhol plays with the lighting and zoom features.
Susan Bottomly/International Velvet's screen test is dark as her piercing eyes stare into the camera, as Warhol plays with the lighting and zoom features.
Susan Bottomly
Herself
Susan Bottomly/International Velvet's screen test is dark as her piercing eyes stare into the camera, as Warhol plays with the lighting and zoom features.
In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware they are being stalked by a lonesome vampire.
Zoë is a single mother who lives with her four children in Dartford. She is poor and can't afford to buy food. One day her old flame drives by and asks her to go on a date with him. Scared that he doesn't want to go out with her, she lies and tells him that she is just babysitting the kids. This will be her first date in years.
With a torrid past that haunts him, a movie theatre owner is hired to search for the only existing print of a film so notorious that its single screening caused the viewers to become homicidally insane.
A screener at the British Board of Film Classification (BBFC), who has earned an unsavory reputation for being the strictest censor of violent films, begins to spiral out of control after viewing a low-budget horror with similarities to the disappearance of her sister.
Low-budget independent filmmaker Nick Reve tries to keep everything together as his production is plagued with an insecure actress, a megalomaniac star, a pretentious beret-wearing director of photography, and lousy catering.
The film goes behind the scenes of the 1999 sci-fi movie The Matrix.
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.
An outwardly normal schoolteacher preys on suicidal women to slake his overwhelming thirst for human blood.
Grindhouse combines Robert Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Quentin Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. It is presented as a double feature with fictitious exploitation trailers preceding each segment.