Perspective
Yarden’s DateAI app is helping him impress Yael on their first date. When the app crashes and things go south, we discover the truth - who’s really behind the app?
Yarden’s DateAI app is helping him impress Yael on their first date. When the app crashes and things go south, we discover the truth - who’s really behind the app?
Neta Ben Aharon
Yael
Chen Kfir
Yarden
Yarden’s DateAI app is helping him impress Yael on their first date. When the app crashes and things go south, we discover the truth - who’s really behind the app?
Tom Merrick gets caught up in a time-traveling conspiracy and must set the timeline right before it is irrevocably altered.
Two colleagues at a revolutionary research lab design technology to improve and perfect romantic relationships. As their work progresses, their discoveries become more profound.
Office employee Barry Thomas is caught in a "time bounce" caused by a glitch in the company's secret project. Now the same day occurs again and again - and Barry's the only one who can do anything about it, including saving the life of beautiful research assistant Lisa Fredericks.
The story of the forbidden relationship between a 'low born' boy and a 'high born' girl in an alternate reality where every person's relationships and life worth are determined by their innate 'frequencies'.
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A biology teacher’s crusade to save a nearby island from development leads to unexpected romance with the handsome and mysterious young sea captain who is new to the seaside town of Willow Bay.
12:01 PM is a 1990 short film directed by Jonathan Heap and starring Kurtwood Smith. It follows Myron Castleman, an everyman who keeps repeating the same hour of his life, from 12:01 PM to 1:00 PM.
When a tech blogger lands an interview with a tech guru and stops an attack on him, he finds a mysterious ring that takes him back 57 seconds into the past.
Inspired by Chris Marker's iconic 1962 featurette La Jetée; the year is 2073—a not-so-distant dystopian future—and the setting is New San Francisco, the scorched-earth tech-dominant police state where democracy and personal freedom have been well and truly obliterated.
When Sarah needs to impress a corporate bigwig in order to help her sister's catering business, she finds herself agreeing to be his son’s pretend date to a family wedding