The mythologist Joseph Campbell wrote "a temple is a landscape of the soul." Fragments Of India explores this potential in the realm of video. Hindu, Muslim, and Jain architecture merge into a unified pattern of images. The sounds of India’s temples, mosques, tombs, and marketplaces form a marriage of video and architecture.
The mythologist Joseph Campbell wrote "a temple is a landscape of the soul." Fragments Of India explores this potential in the realm of video. Hindu, Muslim, and Jain architecture merge into a unified pattern of images. The sounds of India’s temples, mosques, tombs, and marketplaces form a marriage of video and architecture.
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.
An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
A documentary shot by filmmakers all over the world that serves as a time capsule to show future generations what it was like to be alive on the 24th of July, 2010.
An inside look at the years of effort and craft that went into the final installment of the Duffer Brothers' generation-defining series.
Nine filmmakers each profile a young girl from a different part of the world to weave a global tapestry of youth in the 21st century.
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways as the residents find new purpose in their old age.