From the speech that echoes through the film “Weren’t we the modern ones?”, Either through the evident melancholy or through the non-places present, the film revisits old personal conversations, assumptions and speculations in order to perceive the boundaries between past and present , or how modernity reverberates and affects today.
From the speech that echoes through the film “Weren’t we the modern ones?”, Either through the evident melancholy or through the non-places present, the film revisits old personal conversations, assumptions and speculations in order to perceive the boundaries between past and present , or how modernity reverberates and affects today.
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
In late-90s suburbia, a lonely teenager meets a girl at school who introduces him to a mysterious late-night T.V. show — a vision of a supernatural world pulsing beneath their own. As time goes on, however, questions begin to arise about why the show sometimes seems more real than their own lives. In the pale glow of the television, their view of reality begins to crack.
A man becomes haunted by his past and is presented with a mysterious legacy that causes him to re-think his current situation in life.
Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer, Jonathan Shields, as seen through the eyes of various acquaintances, including a writer, James Lee Bartlow; a star, Georgia Lorrison; and a director, Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone on the way to becoming one of Hollywood's top movie makers.
When heiress Jean Courtland attempts suicide, her fiancée Elliott Carson probes her relationship with John Triton. In flashback, we see how stage mentalist Triton starts having terrifying flashes of true precognition. Now years later, he desperately tries to prevent tragedies in the Courtland family.
Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school — the end of her thus far disastrous eighth grade year — before she begins high school.
Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.
While Senator Kelly addresses a senate committee about the supposed mutant menace, we learn about the making of the movie, X-Men (2000)
An aging Hollywood star, Joe Scott, lives a life of narcissistic hedonism, observed by his laconic personal assistant, Ophelia. The death of his childhood best friend, Boots, takes our protagonist, and the movie, into an extended flashback to a sea-side town in 1970s Britain.
Tess enlists her biological father – a lovable slacker from the wrong side of the tracks – and the charming juvenile delinquent next door to help her come to grips with the death of her little sister.