Mortal Sin
Psychodrama. Black and white images of a mining area under the influence of a highly orthodox Catholicism in the 1930s are interspersed with color images of a protest action to save a small church.
Psychodrama. Black and white images of a mining area under the influence of a highly orthodox Catholicism in the 1930s are interspersed with color images of a protest action to save a small church.
Cor van Rijn
Marcel
Chris Lomme
Chris
Willeke van Ammelrooy
Marcels moeder
Jan Decleir
Marcels vader
Renée Soutendijk
Renée
Josée Ruiter
Josée
Tilly Perin-Bouwmeester
Oude vrouw
Wiesje Bouwmeester
Oude vrouw
Elsa Lioni
Oude vrouw
Psychodrama. Black and white images of a mining area under the influence of a highly orthodox Catholicism in the 1930s are interspersed with color images of a protest action to save a small church.
Tom and Mae Garvey are a Tennessee farming couple battling violent floods to save their land. In addition to natural disasters, the Garveys fight to stop a selfish land developer and a local corporation from foreclosing on their farm. While Mae stays at home to care for their children and tend to the crops, Tom finds work as a scab at a steel mill to preserve his family's property.
A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.
Dr. Alan Stone breaks new ground for treatment of the mentally ill through an experiment on three paranoid schizophrenic patients who believe they are Jesus Christ.
A young priest, Father Chisholm is sent to China to establish a Catholic parish among the non-Christian Chinese. While his boyhood friend, also a priest, flourishes in his calling as a priest in a more Christian area of the world, Father Chisholm struggles. He encounters hostility, isolation, disease, poverty and a variety of set backs which humble him, but make him more determined than ever to succeed.
Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.
Living in rural Texas is a dysfunctional family: an abusive dad, a Vietnam vet with a war wound that's left him impotent; a compliant wife and a son of about 20, two small sons who look a lot like their brother. The dad harbors a secret, and he goes to murderous lengths to keep it hidden. The young man, Jimmy, who has suspicions, but little comes out until a Yankee woman comes to town.
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
An uninterrupted rehearsal of Chekhov's 'Uncle Vanya' plays out by a company of actors. The setting: their run-down theater with an unusable stage and crumbling ceiling. The play is shown act by act with the briefest of breaks to move props or for refreshments. The lack of costumes, real props and scenery is soon forgotten.
Russ Millings has just been released from prison after serving 21 years for a 3rd strike conviction for possessing an ounce of marijuana. As he tries to adapt to a world he doesn’t recognize – including trying to learn how to use the internet – he finds an abandoned baby in a dumpster behind the fast food restaurant where he works as a dishwasher. Unsure of what to do, and caught between impulses of kindness and panic, Russ soon realizes this could be his chance at redemption.
While serving life in prison, a young man looks back at the people, the circumstances and the system that set him on the path toward his crime.