Shown by Request Backdrop Blur
Shown by Request Poster
United Kingdom
NR 0h 19m

Shown by Request

Let’s get this show on the road. The Ministry of the Information, and its peacetime successor the Central Office of Information, weren’t the first to take film out of the cinema and onto the doorsteps of Brits nationwide, but they certainly raised the bar on how it should be done. Developments in non-flammable “safety” film stocks, and the availability of “substandard” 16mm film prints from the 1920s, made the film show increasingly portable and meant that any room could become a cinema. The need and benefits of an official public information film service was clearly demonstrated in the Second World War, and an investment in distribution was just as important as production - especially when the war effort meant a trip to the local cinema was not always on the cards. With a broad range of non-fiction shorts on offer, the peacetime COI kept the show going in classrooms, village halls and canteens across Britain.

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Let’s get this show on the road. The Ministry of the Information, and its peacetime successor the Central Office of Information, weren’t the first to take film out of the cinema and onto the doorsteps of Brits nationwide, but they certainly raised the bar on how it should be done. Developments in non-flammable “safety” film stocks, and the availability of “substandard” 16mm film prints from the 1920s, made the film show increasingly portable and meant that any room could become a cinema. The need and benefits of an official public information film service was clearly demonstrated in the Second World War, and an investment in distribution was just as important as production - especially when the war effort meant a trip to the local cinema was not always on the cards. With a broad range of non-fiction shorts on offer, the peacetime COI kept the show going in classrooms, village halls and canteens across Britain.

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Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

Night Will Fall

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