In a film that is counted from the end and it moves progressively backward, with the main purpose and reason to discover the origin of the events leading up to an event, Zugar Zombie tells a story that from irony portrays a reflection of how things work in a small Latin American society.
Quique Mendoza
Hadder Blandon
Marcial Martínez
In a film that is counted from the end and it moves progressively backward, with the main purpose and reason to discover the origin of the events leading up to an event, Zugar Zombie tells a story that from irony portrays a reflection of how things work in a small Latin American society.
Ophelia, a young nun recently arriving in the town of San Ramon, is forced to perform an exorcism on a pregnant woman in danger of dying. Just when she thinks her possession has ended, she discovers that the evil presence hasn't disappeared yet. The director of the award-winning Here Comes the Devil and Late Phases adds a new twist to possession movies in one of this year's Latin American horror surprises.
A ragtag group barricade themselves in an old Pennsylvania farmhouse to remain safe from a horde of flesh-eating ghouls ravaging the Northeast.
An exhausted security guard is transferred to a morgue and, on their first night, discovers that the shadows and silences hide a torment from which there may be no return.
Young Macy is abducted by a deranged, monstrous figure who wants to raise her as its child.
In a dystopian future ravaged by a viral apocalypse, three young brothers—Salvador, Oliver, and Benjamin—find themselves isolated in a remote cabin deep within the woods. As they navigate this desolate world, they harbor a dark and disturbing secret in their basement, a presence they must feed to ensure their own survival.
Grindhouse combines Robert Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Quentin Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. It is presented as a double feature with fictitious exploitation trailers preceding each segment.
Three sisters enter the house of a senator with the intention of stealing money obtained from bribes, but once inside, they begin to hear strange cries coming from the basement.
Andrea, in search of her biological family, feels stalked by an invisible threat. Other women before them have suffered the same fate. Twenty years earlier, on the other side of the world, Camille, fascinated by Marie, tries to warn her of a threat hanging over her.
On their way to Mexico, six students are stranded in a small town where years before a tragedy took place.
In 1979, a young girl stumbles upon a possessed tape player. She unknowingly unleashes a demonic entity that haunts her family while slowly dragging the small town of Clarkston to Hell.