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Jake Chapman's Accelerate or Die!

As one of the highly provocative British art duo The Chapman Brothers, artist Jake Chapman is no stranger to challenging his audience. In this new film, he poses the question, “why is it easier to imagine the end of the world than the end of capitalism?” Perhaps the answer is ‘Accelerationism’, which emerged 50 years ago and predicted the reality we’re now living: A frenzied stasis of rapid technological advancement coupled with cultural and political stagnation. Capitalism – Accelerationism claims – is breaking down our society, our humanity, and our planet. But the only way forward is not to run from it, but to dive deeper into it. Regardless of where that takes us… As befitting for an artist as visual and extreme as Jake Chapman, this film is also part-artwork – playfully and uncompromisingly distorting the idea of how a documentary should look and feel.

Top Cast

  • Jake Chapman

    Jake Chapman

    Self

  • Matt Colquhoun

    Matt Colquhoun

    Self

  • Will Self

    Will Self

    Self

  • Jeanette Winterson

    Jeanette Winterson

    Self

  • Anab Jain

    Anab Jain

    Self

  • Jon Ardern

    Jon Ardern

    Self

  • Alex Williams

    Alex Williams

    Self

  • Pete Wolfendale

    Pete Wolfendale

    Self

  • Beth Singler

    Beth Singler

    Self

Overview

As one of the highly provocative British art duo The Chapman Brothers, artist Jake Chapman is no stranger to challenging his audience. In this new film, he poses the question, “why is it easier to imagine the end of the world than the end of capitalism?” Perhaps the answer is ‘Accelerationism’, which emerged 50 years ago and predicted the reality we’re now living: A frenzied stasis of rapid technological advancement coupled with cultural and political stagnation. Capitalism – Accelerationism claims – is breaking down our society, our humanity, and our planet. But the only way forward is not to run from it, but to dive deeper into it. Regardless of where that takes us… As befitting for an artist as visual and extreme as Jake Chapman, this film is also part-artwork – playfully and uncompromisingly distorting the idea of how a documentary should look and feel.

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