"The story of war in which no one dies for real."
The film explores the representation of war in a territory of long-lasting peace. On the background of mass events, which primarily serve as a necessary reminder of a history, but look more like bizarre celebrations of war, we play with the viewer the imaginary Telephone Game, where the concept of war changes with variations across generations. War, as a permanent exhibition in the museum of our society.
Ján Chudík
The film explores the representation of war in a territory of long-lasting peace. On the background of mass events, which primarily serve as a necessary reminder of a history, but look more like bizarre celebrations of war, we play with the viewer the imaginary Telephone Game, where the concept of war changes with variations across generations. War, as a permanent exhibition in the museum of our society.
Set both in Latin America and the United States, the film explores the historic and current relationship of Washington with countries such as Venezuela, Bolivia and Chile. Pilger says that the film "...tells a universal story... analysing and revealing, through vivid testimony, the story of great power behind its venerable myths. It allows us to understand the true nature of the so-called "war on terror". According to Pilger, the film’s message is that the greed and power of empire is not invincible and that people power is always the "seed beneath the snow".
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
An experimental documentary that explores Saudi Arabia's relationship with the U.S. and the role this has played in the war in Afghanistan.
A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
Ross McElwee sets out to make a documentary about the lingering effects of General Sherman's march of destruction through the South during the Civil War, but is continually sidetracked by women who come and go in his life, his recurring dreams of nuclear holocaust, and Burt Reynolds.
When Sgt. First Class Brian Eisch is critically wounded in Afghanistan, it sets him and his sons on a journey of love, loss, redemption and legacy.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
A documentary focused on plastic pollution in the world's oceans.
A promotional making-of documentary for the film The Matrix (1999) that devotes its time to explaining the digital and practical effects contained in the film. This is very interesting, seeing as how they're giving away the cinematic secrets that they created solely for the this movie, that have now been spoofed and referenced in countless other films.