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NR 0h 24m

Aperture

At night, a man stands in the middle of the road. He paints the white markings black. His mind gradually slips back into a faraway realm created by his illness. Some time later, at the mental institution, as he tries to retain a fragile grip on reality, the delusional account of his past begins to unravel. Losing his sense of reality disturbed his life, but at the same time creates an opening for a possible recovery and new hope.

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Overview

At night, a man stands in the middle of the road. He paints the white markings black. His mind gradually slips back into a faraway realm created by his illness. Some time later, at the mental institution, as he tries to retain a fragile grip on reality, the delusional account of his past begins to unravel. Losing his sense of reality disturbed his life, but at the same time creates an opening for a possible recovery and new hope.

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Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

Night Will Fall

7.6 2014