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Die Türhüter

A patient tracking shot and an unforgettable aerial view of the Berlin Wall establish both the visual and literal rhetoric of this wellorchestrated documentary. Compelling black and white portraits punctuate the interviews with established Turkish Germans and newcomers. They live in the shadow of the wall and speak of ist uncanny coldness. The stoic voiceover spoken by Norbert Langer recites Frank Kafka’s text “Before the Law,” a story about a man who stands at a door and refuses entry to one particular person. […] (Karina Griffith)

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A patient tracking shot and an unforgettable aerial view of the Berlin Wall establish both the visual and literal rhetoric of this wellorchestrated documentary. Compelling black and white portraits punctuate the interviews with established Turkish Germans and newcomers. They live in the shadow of the wall and speak of ist uncanny coldness. The stoic voiceover spoken by Norbert Langer recites Frank Kafka’s text “Before the Law,” a story about a man who stands at a door and refuses entry to one particular person. […] (Karina Griffith)

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Rosenstrasse

When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?

Rosenstrasse

6.4 2003