An award winning experimental LGBTQ images events past of the past, future and present blended into a tapestry of site and sound following the lives of several characters in the West Village of New York: A drug addicted teen, a homeless mentally ill vet, two social workers and two gay lovers along with several community members around them. Their experiences transpire organically without a standard plot driven narrative.
An award winning experimental LGBTQ images events past of the past, future and present blended into a tapestry of site and sound following the lives of several characters in the West Village of New York: A drug addicted teen, a homeless mentally ill vet, two social workers and two gay lovers along with several community members around them. Their experiences transpire organically without a standard plot driven narrative.
A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.
Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.
Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.
Michael and Robert, two gay men living in Brooklyn, spend their last day together before Robert leaves for Africa on work assignment. Michael still has feelings for his friend Nick, who has AIDS.
A group of gay friends spend summer weekends together at a lakeside house in upstate New York. As the season progresses and secrets begin to surface, the complex relationships within the group are sometimes strained and sometimes strengthened.
A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.
Two gay men are possibly, probably, stumbling towards love. Maybe. They're both very busy.
Benjamin, a rising star filmmaker, is on the brink of premiering his difficult second film No Self at the London Film Festival when Billie, his hard drinking publicist, introduces him to a mesmeric French musician called Noah.
A Brooklyn teenager juggles conflicting identities and risks friendship, heartbreak, and family in a desperate search for sexual expression.
Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.