Oncle Vania
Elegantly and carefully, Léon trains his sights both on Chekhov’s famous play written in 1896 and on its earlier, lesser known version entitled "The Wood Demon" (1889), combining the two.
Elegantly and carefully, Léon trains his sights both on Chekhov’s famous play written in 1896 and on its earlier, lesser known version entitled "The Wood Demon" (1889), combining the two.
Jean-Claude Biette
Ivan Petrovitch Verkhovenski (oncle Vania)
Serge Renko
Mikhaïl Lvovitch Astrov
Mathieu Riboulet
le régisseur
Vladimir Léon
Gaufrette
Chloé Dussère
Sonia
Elegantly and carefully, Léon trains his sights both on Chekhov’s famous play written in 1896 and on its earlier, lesser known version entitled "The Wood Demon" (1889), combining the two.
In a pre-revolutionary Russia, a poor Jewish milkman struggles with the challenges of a changing world as his daughters fall in love and antisemitism grows.
Following the release of The Godfather Part III in 1990, Coppola, Barry Malkin, and Walter Murch edited the three Godfather movies into chronological order. As had the earlier compilations, this film incorporated scenes that are not part of the theatrical releases.
An uninterrupted rehearsal of Chekhov's 'Uncle Vanya' plays out by a company of actors. The setting: their run-down theater with an unusable stage and crumbling ceiling. The play is shown act by act with the briefest of breaks to move props or for refreshments. The lack of costumes, real props and scenery is soon forgotten.
An aspiring young filmmaker gets involved with an eccentric gangster for the financing of his first film.
A man, Milan steps off a train, into a small French village. As he waits for the day when he will rob the town bank, he runs into an old retired poetry teacher named M. Manesquier. The two men strike up a strange friendship and explore the road not taken, each wanting to live the other's life.
Troubled father Leon takes son camping in Appalachia. Local cult summons evil Hangman demon. Son goes missing. Leon must confront cult, monster to find him amid rising body count.
A bohemian artist travels from London to Italy with his estranged son to sell the house they inherited from his late wife.
After growing up in a poor gypsy camp, Edmond Vidal, aka Momon, has retained a sense of family, unfailing loyalty and pride in his origins. Most of all, he has remained friends with Serge Suttel, with whom he first discovered prison life - for stealing cherries. The two of them inevitably got involved in organized crime. The team they formed, the Ganf Des Lyonnais, made them the most notorious armed robbers of the early 1970s. Their irresistible rise ended in 1974 with a spectacular arrest. Today, as he nears 60, Momon would like to forget that part of his life. He has found peace by retiring from the "business". He tends to his wife Janou, who suffered so in the past, and to his children and grandchildren, all of whom have great respect for this man of simple and universal values, so clear-headed and full of kindness. But then Serge Suttel, who has disowned nothing of his past, comes back into the picture.
A traveller by the name of Crossley forces himself upon a musician and his wife in a lonely part of Devon, and uses the aboriginal magic he has learned to displace his host.
One night, Leo, a Spaniard working in Brussels as a subway driver, sees a young man on the edge of the platform, just before he falls onto the tracks.