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A Woman's Error

Considered the first film to be directed by a black woman in the United States.

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Overview

Considered the first film to be directed by a black woman in the United States.

Rating

7.0 / 10
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Recommendations

I Can't Think Straight

Tala, a London-based Palestinian, is preparing for her elaborate Middle Eastern wedding when she meets Leyla, a young British Indian woman who is dating her best friend. Spirited Christian Tala and shy Muslim Leyla could not be more different from each other, but the attraction is immediate and goes deeper than friendship. But Tala is not ready to accept the implications of the choice her heart has made for her and escapes back to Jordan, while Leyla tries to move on with her new-found life, to the shock of her tradition-loving parents. As Tala's wedding day approaches, simmering tensions come to boiling point and the pressure mounts for Tala to be true to herself.

I Can't Think Straight

7.5 2008
Introducing Dorothy Dandridge

An acclaimed stage performer, Dorothy still struggled with the challenge of her color, in a time that wouldn't let some stars in by the front door. Yet against the odds she beat out many more famous rivals for the role of "Carmen Jones", becoming the first black woman ever nominated for a Best Actress Academy Award. Marriages and affairs would break her heart, but her heart was strong. Seductive and easily seduced, she was born to be a star - with all the glory and all the pain of being loved, abused, cheated, glorified, undermined and undefeated. Here was a woman who wouldn't wait in the wings. Halle Berry stars as Dorothy Dandrige.

Introducing Dorothy Dandridge

6.5 1999
Cameraperson

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Cameraperson

6.7 2016