Pink Floyd: The Wall - Nassau Coliseum
Pink Floyd's 1980 World Tour of The Wall, Live from Nassau Coliseum on Feb 27, 1980.
Pink Floyd's 1980 World Tour of The Wall, Live from Nassau Coliseum on Feb 27, 1980.
Roger Waters
Self - Bass, Vocals
David Gilmour
Self - Guitars, Vocals
Nick Mason
Self - Drums
Richard Wright
Self - Keyboards
Andrew Bown
Self - Bass, Guitar
Snowy White
Self - Guitars
Willie Wilson
Self - Drums
Gary Yudman
Self
Pink Floyd's 1980 World Tour of The Wall, Live from Nassau Coliseum on Feb 27, 1980.
A concert film that the former Pink Floyd singer-songwriter made on various tour dates between 2010 and 2013, when he was playing his former group's 1980 double-album in its entirety.
Taylor Swift takes the stage in Dallas for the Reputation Stadium Tour and celebrates a monumental night of music, memories and visual magic.
In his hometown of Toronto, Shawn Mendes pours his heart out on stage with a live performance in a stadium packed with adoring fans.
Trip, a young roadie for Metallica, is sent on an urgent mission during the band's show. But what seems like a simple assignment turns into a surreal adventure.
At a sold-out concert in her hometown of LA, Olivia Rodrigo pours her heart into an electrifying night of chart-topping hits and pop-rock power ballads.
In November 1981, and with “Under Pressure” topping the charts in the UK, Queen performed a blistering set of hits – including "We Will Rock You" and "Bohemian Rhapsody" – in front of an 18,000-strong crowd at Montreal's Forum, in this stunning concert film.
Nearly 2 hours of the short films that made HIStory... Including never before released short films.
A look at New York's dynamic punk rock scene through the lens of the ground-breaking Lower East Side club started by eccentric Hilly Kristal in 1973 which launched thousands of bands.
Live performance from the legendary band, recorded live at Earls Court in London on 20th October 1994, during The Division Bell tour.
Hammersmith Odeon, London, July 3, 1973. British singer David Bowie performs his alter ego Ziggy Stardust for the very last time. A decadent show, a hallucinogenic collage of kitsch, pop irony and flamboyant excess: a musical symbiosis of feminine passion and masculine dominance that defines Bowie's art and the glam rock genre.