Mozart's Requiem - Festival d'Aix-en-Provence 2019 Backdrop Blur
Mozart's Requiem - Festival d'Aix-en-Provence 2019 Poster

Mozart's Requiem - Festival d'Aix-en-Provence 2019

Relive an unforgettable musical and theatrical experience with this singular production of Mozart's Requiem, staged by the defiantly nonconformist director Romeo Castellucci at the Aix-en-Provence Festival in 2019. Raphaël Pichon leads his acclaimed ensemble Pygmalion, whose impeccable musicianship and refreshingly original approach to early music have led them to the highest echelon of period-instrument outfits working today. Four magnificent solo voices—soprano Siobhan Stagg, alto Sara Mingardo, tenor Martin Mitterrutzner, and bass Luca Tittoto—blend seamlessly with the choir and orchestra in the most famous of all requiem masses, left unfinished by Mozart at his death. "Mozart's Requiem," writes musicologist Olivier Bellamy, "is resolutely theatrical. From moment to moment, the music alternates between terror, joy, supplication, exaltation, and scriptural piety."

Top Cast

  • Siobhan Stagg

    Siobhan Stagg

    Soprano

  • Sara Mingardo

    Sara Mingardo

    Alto

  • Martin Mitterrutzner

    Martin Mitterrutzner

    Tenor

  • Luca Tittoto

    Luca Tittoto

    Bass

  • Armelle Froeliger

    Armelle Froeliger

    Soprano

  • Chadi Lazreq

    Chadi Lazreq

    Soprano child

Overview

Relive an unforgettable musical and theatrical experience with this singular production of Mozart's Requiem, staged by the defiantly nonconformist director Romeo Castellucci at the Aix-en-Provence Festival in 2019. Raphaël Pichon leads his acclaimed ensemble Pygmalion, whose impeccable musicianship and refreshingly original approach to early music have led them to the highest echelon of period-instrument outfits working today. Four magnificent solo voices—soprano Siobhan Stagg, alto Sara Mingardo, tenor Martin Mitterrutzner, and bass Luca Tittoto—blend seamlessly with the choir and orchestra in the most famous of all requiem masses, left unfinished by Mozart at his death. "Mozart's Requiem," writes musicologist Olivier Bellamy, "is resolutely theatrical. From moment to moment, the music alternates between terror, joy, supplication, exaltation, and scriptural piety."

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