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WE’VE WORKED SO MUCH

Through a visual poem of words, dance, and matters, the colossal forms of cement mixers in a deserted factory become transformative spaces. The notion of labor and motherhood is redefined through these looming metallic bodies of resonance—concrete mixers treated as reproductive organs, sites of a life’s work.

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Overview

Through a visual poem of words, dance, and matters, the colossal forms of cement mixers in a deserted factory become transformative spaces. The notion of labor and motherhood is redefined through these looming metallic bodies of resonance—concrete mixers treated as reproductive organs, sites of a life’s work.

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