Miller's Girl
"Write what you want."
A talented young writer embarks on a creative odyssey when her teacher assigns a project that entangles them both.
"Write what you want."
A talented young writer embarks on a creative odyssey when her teacher assigns a project that entangles them both.
Jenna Ortega
Cairo Sweet
Martin Freeman
Jonathan Miller
Bashir Salahuddin
Boris Fillmore
Gideon Adlon
Winnie Black
Dagmara Dominczyk
Beatrice June Harker
Christine Adams
Joyce Manner
Augustine Hargrave
Elliot
Elyssa Samsel
Suzette
A talented young writer embarks on a creative odyssey when her teacher assigns a project that entangles them both.
Miller’s Girl is an exceptional movie that shows two people crossing a line that leads to inappropriate behavior and devastating consequences. The movie has extremely complex characters, a wonderfully written plot, beautiful cinematography, great music, and keeps you trying to figure out whether these characters are good or bad. I love the dialogue between the characters. The writer/director lets the audience decide how they feel about the characters and their behavior. Many of the scenes are left unanswered. The audience has to decide what they think happens, and the meaning behind the final scene. I highly recommend this movie.
Rather odd, yet just narrowly works... I think. The performances of Jenna Ortega and Martin Freeman are two that I found entertaining. I'm usually nonplussed by the latter actor, I tend to find him quite mid in terms of acting but this is probably the most I've enjoyed him throughout the entire run time of a movie; he has better roles, sure, but purely on his delivery etc. this is a good showing of his. 'Miller’s Girl' does deliver a strange story, one that does feel quite amateurly written and one that's deseprate to be salacious. For an "erotic thriller", it doesn't really show all that much - if, admittedly, that's for the best in this regard. I will say, though, that Ortega and Freeman play it all off well enough though, which is probably why I didn't hate it. I'm not surprised to see it tank on Letterboxd, even if I'm evidently not someone who feels as negatively as a load of others do about this 2024 flick. I do tend to give movies with good performances a pass as they can mask any other misgivings, so that ought to explain it.
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