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Delirium

"It was recorded over Summer of 2020, we were isolating ourselves. We live in the ground floor in an apartment building, we have the full backyard which ended up being my interaction with nature – that’s where 'Flying Over Brooklyn' was recorded. Just looking around, what on earth can I do here? I was looking at this reflection of leaves from trees from our neighbour to one of our fences and became interested and began to look at these reflections, some transformed themselves almost day by day, sometimes it was difficult to really catch some of these – it’s creature-like faces I tended to see there. The shadows were exotic for me, they had quality of the tropics, at the same time it’s flat and there are vertical lines which for me denoted prison in a way – you have these bars there, so it’s a contained jungle and that mean different implications for me. The sound we hear, though somewhat amplified, were recorded with the same camera, not necessarily at that moment." – Ernie Gehr

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Overview

"It was recorded over Summer of 2020, we were isolating ourselves. We live in the ground floor in an apartment building, we have the full backyard which ended up being my interaction with nature – that’s where 'Flying Over Brooklyn' was recorded. Just looking around, what on earth can I do here? I was looking at this reflection of leaves from trees from our neighbour to one of our fences and became interested and began to look at these reflections, some transformed themselves almost day by day, sometimes it was difficult to really catch some of these – it’s creature-like faces I tended to see there. The shadows were exotic for me, they had quality of the tropics, at the same time it’s flat and there are vertical lines which for me denoted prison in a way – you have these bars there, so it’s a contained jungle and that mean different implications for me. The sound we hear, though somewhat amplified, were recorded with the same camera, not necessarily at that moment." – Ernie Gehr

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