"The universe is so much bigger than you realize."
An aging Chinese immigrant is swept up in an insane adventure, where she alone can save what's important to her by connecting with the lives she could have led in other universes.
Michelle Yeoh
Evelyn Wang
Stephanie Hsu
Joy Wang / Jobu Tupaki
Ke Huy Quan
Waymond Wang
James Hong
Gong Gong
Jamie Lee Curtis
Deirdre Beaubeirdre
Tallie Medel
Becky Sregor
Jenny Slate
Big Nose
Harry Shum Jr.
Chad
Biff Wiff
Rick
An aging Chinese immigrant is swept up in an insane adventure, where she alone can save what's important to her by connecting with the lives she could have led in other universes.
Thanks to good acting, directing and editing, ‘Everything Everywhere All at Once’ manages to tell its complicated concept of the multiverse quite coherently, even though I sort of lost interest in the story about 30 minutes before the ending. Yet overall, it was all very enjoyable, with references to ‘2001: A Space Oddysey’ and ‘Ratatouille’, and with a surprisingly quiet and funny scene of talking rocks. 7/10
Everything is fake.
**things I liked in the movie and things I didn't like.** A Chinese immigrant lives in America and embarks on a crazy and strange adventure in multiple universes. This movie should be called the multiverse of madness. The things that were written in "Doctor Strange 2" I saw in this movie in terms of the worlds, the characters, and the strange things that happen. Critics expressed their admiration for this film and it won the admiration of many, but from my point of view, yes, it was enjoyable, but the duration of the movie was unpleasant and long for me. There is a good message in the movie, which is an atmosphere that contains a rush about oneself and how important we are in this universe, at the same time you discover that you aren't important in this universe. There is a strong emotional factor in the movie, which is the story of a mother with her daughter and the love of the family, but the film sometimes took unexpected comedic paths and was affected by the emotional factor. At the same time, there are things that are supposed to be funny and they actually made many viewers of the film laugh, but at the same time you see Some of the comedy scenes were disgusting and nauseating. The movie is special and it is one of the best good movies you will see in 2022, but at the same time the movie needed a better balance in terms of comedy and drama in a way that summarizes this is similar to the movie The Matrix, which is a person who can enter another world through his mind. Here you see the idea is similar, but in multiple universes, and you see these multiple universes and you see the options. This movie makes you think about your personal decisions and makes you think that there are people like you, but in other universes they made decisions that affected you. Here this idea is creative, but what bothered me was the comedic situations at the wrong time. There are emotional scenes that were touching. Great dialogue scenes, but they were damaged by the comedy because sometimes the movie Reminds me of Marvel movies. The cinematography, editing, and music were wonderful, which was an essential factor in the film's story. The scene of the rocks was eye-catching, wonderful, deep and poignant, but at the same time the director decided to show this story and how he used somewhat disgusting comedic tools. It was something for me that was inappropriate and inappropriate. Yes, I know that this movie has Hollywood agendas, and this is a large part that contributed to it receiving very high and fabulous ratings, but in general, there are things I liked in the movie and things I didn't like.
Thematically, this movie has something to chew on. Unfortunately the metaphor used to explore the theme is constructed in a sloppy way that falls apart under any scrutiny. Well performed actions sequences are irrelevant to the progression of the theme and only serve to mark time between the tidbits of character drama spread out over the movie. The superficial plot and setting similarities to The Matrix also bring these shortcomings into sharp focus. Whereas the former takes pains to communicate it's ideas to the audience with precise foreshadowing, EEAAO tries to throw as many ideas at you as fast as possible hoping that you won't notice they have no substance, and ultimately don't matter. The former has action scenes that are relevant to the theme, progress the story, and matter to the character's journey. The later simply has me waiting until they're over for the story to pick back up. It's not that there's nothing this movie has to say, it's simply afraid to say it without constant 'lol so random!!' memes.
**A magnificently anti-nihilistic and brutally well-executed film, with a cast of deeply committed actors and an insane story.** I just saw this film and felt an irresistible need to talk about it and comment on it. However, I recognize that a text of just a few thousand characters is completely insufficient to make a fair assessment. This is one of the most complex films I've seen, and so I'm going to try to make an extra effort not to spoil it, even though I feel like I'm going to need to address some things in more depth to be able to write what I need. Let's start by saying that the film was an overwhelming success, both at the box office and with critics, and that it is worth every cent of our cinema ticket. He was also acclaimed at the 2023 Oscars ceremony, with seven statuettes (Best Film, Best Director, Best Actress, Best Supporting Actress, Best Supporting Actor, Best Editing and Best Original Screenplay) in ten nominations. And in addition to the Oscars, many other prizes and awards that seem completely justified to me. The script is one of the most creative and insane I've ever seen: it all starts with a middle-aged Chinese lady who tries to deal with the organized chaos of her normal life: a half-bankrupt business, a marriage in ruins, a bad relationship with an authoritarian father and a lesbian and protesting daughter. And problems with income tax. It is in the midst of this that she discovers that there are billions of other universes, with several other versions of the people she knows, and that she needs to help defeat an evil, an evil force that threatens to destroy them all. The film starts from very bold physics premises, where there are some theories that address the possibility of universes parallel to ours, with our alter-egos living there, and goes further, stating that these universes are born from our multiplicity of options and decisions every day. For example, I'm here writing this, but in another universe, another version of me chose not to watch any movie and sleep. I'm not going to explain much more, not even how the main character discovers this, nor what kind of evil entity that is, but I can say that, deep down, the biggest message I took away from this film is the need to live in the present, but also have faith and cultivate love and good feelings, instead of futile sensations or meaningless nihilism. In effect, the main character needs to believe in herself and in the abilities she doesn't know she can have, in order to combat that malevolent force, which is, in itself, a good representation of nihilism, the feeling that nothing in this life it's really worth it. Still regarding the script, I believe it is fair to say that it was precisely closer to the end that I felt the inspiration running out, the creative overdose of the directors and screenwriters. This is, after so many bizarre and unusual things, the apparently simple ending (even though it wasn't) seemed strangely anti-climactic to me. There's so much to say about the technical aspects of this film... directed by Daniel Scheinert and Daniel Kwan, it's a surprisingly cheap production (a budget of around thirty million dollars, for Hollywood and considering what this film is, it's a small bag of pennies and quarters), which works incredibly well. On a visual level, it's one of the most devastating films I've ever seen, with cinematography and editing worthy of being studied by film schools. And then, we have the great work of designing sets and costumes, and the impressive work of the action doubles and makeup, among many other subtle details that are so tiny that we almost don't notice them, and that show the detailed, patient nature and commitment of directors and their team. The soundtrack is also a very positive point, with an atmospheric and sometimes very discreet sound. There are lots of references to aspects of pop culture, such as martial arts or even technological gadgets, and the fight and action scenes were made with maximum attention to detail, including sudden stops of the image in the most intense scenes, a style of cinematography very characteristic of kung fu films. The work of the cast deserves praise. By playing a wide range of cinema styles in the same character, from comedy to physical action, Michelle Yeoh embarked on a tour de force so challenging that it would make any renowned actor think twice. The way she gives herself to the character is total, absorbing. Stephanie Hsu follows her closely and offers us profound work, full of feeling and emotion. Ke Huy Quan is also impressive and does a remarkable job. In smaller characters but still worthy of mention, we have the veteran James Hong, and the prestigious Jamie Lee Curtis, in a performance so far out of her comfort zone that it seems unimaginable for this actress, and yet it could become pivotal to her career from now on.
**Bloated nonsense, overlong and meaningless.** If this movie wasn't so overhyped and so overrated, I would just dismiss it as a meh kind of movie. But as it is so overhyped and overrated, I kind of start to hate it. But to not waste a lot more time on this nonsense, I will just point out the main reasons why the movie failed for me. 1.) The movie failed to establish an emotional connection between the viewer and what is happening on the screen i. E. in the movie. One of the reasons for that being: the movie was driven by nonsense. Whenever the main characters are stuck in a situation, the have to perform some nonensical bullcrap, so that they can crazy-deus-ex-machina their way out of the situation. Again and again and again and again and again. 2.) The other reason for the failed emotional connection is that there were no sympathetic characters given to connect with. Everyone is just a self-absorbed a-hole or douchebag. What they are fighting for is a chaotic piled up mess (because they are unable to fix anything and to improve, so they prefer having a meanignless mess to having nothing). So, my main problem was: I just didn't care for anything happening in the movie. If you think that it is a profound philosophical question to ask how your life would be if you would have sausages for fingers (just to give you an example), this may be a movie you. But if you think that such a question is just stupid and stopped being funny since you turned 8 years old, maybe you should avoid spending timeor money on this movie. But there are some few reddeming qualities of this movie, hence I gave it 4/10. Which are: - The cinematography isn't bad. - It doesn't look like a trash movie production-value-wise. - Some of the acting wasn't too bad, if you can look past the garbage mess the actors had to work with. - It has some funny moments, if you can take the nonsense and the stupidity. But again, at the end of the day, I didn't care for the pile of nonsense that the movie is.
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