A rape incident occurs at a famous park in Hattenba. The victims are Yoshio (Ken Masuda) and Kurita (Tatsuya Koizumi). A man approached them claiming to be a photographer, tied their arms and legs, robbed them of their freedom with a metal rod, raped them, and then took photos of them and scattered them around. Yoshio consults his lover, barman Satoshi (Tetsuo Uta), and decides to catch the rapist.
Ken Masuda
Yoshio
Shigenobu Umeki
Sadist
Tatsuya Koizumi
Kurita
Kazu Itsuki
Monk
Tarō Araki
Regular customer
Tetsuo Itadaki
A rape incident occurs at a famous park in Hattenba. The victims are Yoshio (Ken Masuda) and Kurita (Tatsuya Koizumi). A man approached them claiming to be a photographer, tied their arms and legs, robbed them of their freedom with a metal rod, raped them, and then took photos of them and scattered them around. Yoshio consults his lover, barman Satoshi (Tetsuo Uta), and decides to catch the rapist.
A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.
Kyôko, a traumatized young Japanese girl, finds herself struggling with her self-confidence in her adult life. Growing up in a family without her mother and her sister, she constantly questions the rationale of sex and the notion of liberty in modern Japanese society.
Fourteen-year-old Mo is a lonely, sensitive boy whose hunger for the rant and banter of buddies makes him prone to tread dangerous territories. He idolizes his handsome older brother, Rashid, a charismatic, well-respected member of a local gang, whose drug dealing enables “Rash” to provide for his family. Aching to be seen as a tough guy himself, Mo takes a job that unlocks a fateful turn of events and forces the brothers to confront their inner demons. It turns out that hate is easy. It is love and understanding that take real courage.
An outrageous erotic poem focusing on the daydreams of a beautiful boy prostitute who, from the seclusion of his ultra-kitsch apartment, conceives a series of interlinked narcissistic fantasies populated by matadors, dancing boys, slaves, and leather-clad bikers.
After being used and betrayed by the detective she had fallen in love with, young Matsu is sent to a female prison full of sadistic guards and disobedient prisoners.
When Muraki, a porn magazine editor, watches a blue film depicting a gang rape in a school, he becomes obsessed with the lead actress. Quite by chance, whilst looking to reserve a location for a shoot, he happens to encounter her at a love hotel where she works as a receptionist. Her name is Nami and she reluctantly agrees to speak with him, and confesses that it was her in the film. Then, Muraki tells Nami that he wants her to model for him.
Set during Japan's Shogun era, this film looks at life in a samurai compound where young warriors are trained in swordfighting. A number of interpersonal conflicts are brewing in the training room, all centering around a handsome young samurai named Sozaburo Kano. The school's stern master can choose to intervene, or to let Kano decide his own path.
A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.
Young teen girl Xiu Xiu is sent away to a remote corner of the Sichuan steppes for manual labor in 1975 (sending young people to there was a part of Cultural Revolution in China). A year later, she agrees to go to even more remote spot with a Tibetan saddle tramp Lao Jin to learn horse herding.
When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family until a tragedy tears them apart.