Doing the America thing: riding around in a car, looking out at the landscape (desert, trees and bushes, cities), observing the driver, enjoying the ride as a pure, almost primeval cinematic act. All bookended by phantom rides through the bright lights of Las Vegas. – Olaf Möller
Doing the America thing: riding around in a car, looking out at the landscape (desert, trees and bushes, cities), observing the driver, enjoying the ride as a pure, almost primeval cinematic act. All bookended by phantom rides through the bright lights of Las Vegas. – Olaf Möller
Widower Tom, on the recent passing of his wife Mary, uses his free bus pass to travel the length of Britain from John O'Groats in Caithness to Land's End in Cornwall, their shared birthplace, using only local buses. It's an incident-fuelled nostalgia trip and his encounters with local people make him a media phenomenon. Tom is totally unaware and to his surprise on arrival at Land’s End he’s greeted as a celebrity.
A man reflects on the lost love of his youth and his long-ago journey from Taiwan to America as he begins to reconnect with his estranged daughter.
"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.
While serving life in prison, a young man looks back at the people, the circumstances and the system that set him on the path toward his crime.
Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.
When a rebellious teen embarks on a solo summer journey to connect with her roots, she finds herself in a new world, geared up for the ride of her life, and discovers she had the drive in her all along.
A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.
Set shortly after the end of World War II, a philosophical boxing drama of two fighters from opposite worlds (USA and Japan) who are pulled together for a questionable fight arranged by their unscrupulous managers and the Yakuza.