"Nature is healing. Nature is connection."
'Rooted' is a dream-like experimental short film created by Elke Hounshell and Ash Carroll. This short film explores how nature is a healing practice to the bodies, and how many connections we have to nature without even realizing it. It captures how the human body connects with nature, the river, roots, emotions, and everything else.
'Rooted' is a dream-like experimental short film created by Elke Hounshell and Ash Carroll. This short film explores how nature is a healing practice to the bodies, and how many connections we have to nature without even realizing it. It captures how the human body connects with nature, the river, roots, emotions, and everything else.
Cody and Zack are approached to join the Gemini Project, a high-tech research center studying the dynamics between twins. Shockingly, they find themselves interconnected in a whole new way! When one twin experiences something, the other twin feels it too. This newfound revelation helps them see eye to eye for the first time, and it puts them in more danger than they could have imagined.
Scientists have discovered how to 'hop' human consciousness into lifelike robotic animals, allowing people to communicate with animals as animals. Animal lover Mabel seizes an opportunity to use the technology, uncovering mysteries within the animal world beyond anything she could have imagined.
Augusta, Georgia, United States, June 3, 2017. After running some errands, Reality Winner returns home, where she is approached by two men.
In the seedy domain of Miami’s criminal underbelly, a seasoned hitman embarks on the relentless pursuit of his next target. As shot entirely through thermal lens, he navigates a twisted world where violence and madness reign supreme. Tensions unravel, leading to a psychedelic journey that blurs the lines between predator and prey.
19 year old Isaiah Wright lives for basketball and video games. A year out of high school, he has no job, no plans, and no idea how to be a man. At odds with his single mother Cynthia, Isaiah is given an ultimatum – to step up or move out. Feeling the pull from his friends and the push from his mom, Isaiah is hired by Moore Fitness, unaware of how the owner will personally impact his life. With the prayers of his mother and unexpected guidance from his new mentor, Isaiah is forced to deal with his past, sacrifice his selfishness and discover how God might have a greater purpose for his life.
Working-class father John Crowley is finally on the fast track to corporate success when his two young children are diagnosed with Pompe disease—a condition that prevents the body from breaking down sugar. With the support of his wife, John ditches his career and teams with unconventional specialist, Dr. Robert Stonehill to found a bio-tech company and develop a cure in time to save the lives of his children. As Dr. Stonehill works tirelessly to prove the theories that made him the black sheep of the medical community, a powerful bond is forged between the two unlikely allies.
Life's a beach for surfers Brady and McKenzie – until a rogue wave magically transports them inside the classic '60s beach party flick, "Wet Side Story," where a full-blown rivalry between bikers and surfers threatens to erupt. There, amidst a sea of surfing, singing and dancing, Brady and Mack accidentally change the storyline, and the film’s dreamy hero and heroine fall for them instead of for each other!
Stephen Glass is a staff writer for the respected current events and policy magazine The New Republic and a freelance feature writer for publications such as Rolling Stone, Harper's and George. By the mid-90s, Glass' articles had turned him into one of the most sought-after young journalists in Washington, but a bizarre chain of events - chronicled in Buzz Bissinger's September 1998 Vanity Fair article - suddenly stopped his career in its tracks.
Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.